Suman Kalyanpur

SN Tripathi Part 5 (post-50s): His best songs by other female playback singers

SN Tripathi with Geeta Dutt and Shamshad begum October 19, 2023

Concluding the series on SN Tripathi with his best songs for ‘other’ female playback singers It is time to conclude the series on SN Tripathi after a comprehensive coverage of his multi-faceted talent in the Vintage Era (1949 and earlier) in Part 1 as a singer, actor, music director and dialogue and story writer; Part […]

Read the full article

Dattaram Part 2: Breaking out of the Banyan Tree with ‘Other’ Singers

Dattaram May 29, 2021

Second and final part of tribute to Dattaram (1929 – 8 June 2007) We saw in Dattaram Part 1 dealing with his songs for Mukesh and Manna Dey, how his association with the Big Banyan tree, Shankar-Jaikishan, made it difficult to get out of the comfort zone of SJ. The readers Mahesh and Hans Jakhar […]

Read the full article

Rafi’s duets by Roshan

Roshan and Rafi November 5, 2018

My post on Rafi’s solos by Roshan appeared more than six years ago, several years before I started the series on the stalwart music directors. And the reason was simple: Roshan ranked among the top in my reckoning for Rafi songs, along with Naushad, SD Burman and OP Nayyar. Duets have no less importance in […]

Read the full article

Mukesh’s best happy duets

Thumbnail image for Mukesh’s best happy duets September 17, 2011

Having recently done a list of happy songs of Mukesh, I had no intention of doing another Mukesh post anytime soon. But dustedoff, AP Joshi and Subodh Agrawal in their comments entered into an earnest discussion on ‘happy’ duets of Mukesh and requested I do a list of my favourite such duets. This opened the […]

Read the full article

Suman Kalyanpur outshines Lata Mangeshkar

Thumbnail image for Suman Kalyanpur outshines Lata Mangeshkar October 4, 2010

Haal-e-dil unko sunana tha sunaya na gaya Suman Kalyanur had to remain in the shadows of Lata Mangeshkar because of her uncanny similarity to Lata’s voice. Many of her songs are indistinguishable from Lata’s style, either because she was subconsciously imitating her style or the music directors were viewing her essentially as Lata’s replacement. Yet […]

Read the full article