1953

Best songs of 1953: Final Wrap Up 4

The Songs of Yore Award for the Best Music Director goes to?

Shankar Jaikishan_C Ramchandra_Anil Biswas_Salil Chaudhary_Ghulam MohammadCanasya asked in one of the posts in this series, what was the avowed objective of these posts? Jignesh mentioned that SoY Awards have surpassed the fame of Filmfare Awards (I like that Smile).  Filmfare is indeed a reference point, because this series started last year on some readers’ suggestions that I do a year-wise review of the best songs of pre-Filmfare years. The somewhat presumptuous title and style of writing is all for enjoyment. But music is a serious thing, and the discussions have become deeply involved, the comments both in quantity and quality have increased significantly compared to the last year. So to answer Canasya’s question – some like-minded people, most of whom know each other only in the cyberspace and who are deeply passionate about music, are together embarking on this wonderful voyage of reminiscing about and rediscovering old film music. The survey article together with Wrap Up 1 on the best male playback singer, Wrap Up 2 on the best female playback singer and Wrap Up 3 on the best duets and the present final Wrap Up together represent probably the most unique and comprehensive discussion of the entire music of a particular year. The Final Wrap Up is based on the previous posts and the readers’ comments, naturally, and seeks to focus on the best music director(s) of the year.

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Best songs of 1953: Wrap Up 3

 

Songs of Yore Award for the best duet goes to?

After the survey post on the best songs of 1953, I have already done Wrap Up 1 on the best male solos and Wrap Up 2 on the best female solos. Continuing the series I present the third Wrap Up on the best duets.

1953 filmsWhile surveying the music of 1953, Subodh made a somewhat radical statement that it was not a great year for male solos. Some other readers also too seemed to echo that sentiment. The absence of any great Rafi solo did make the year less diverse, and it ultimately became a one-horse (Talat Mahmood) race. Subodh was equally dismissive of female solos ‘Female solos too don’t do much either’. If a year had Ye zindagi usi ki hai, Ye sham ki tanhaiyan, Raja ki ayegi baraat, Aa ja ri aa nindiya tu aa, Hamare baad ab mahfil mein afsane bayan honge of Lata Mangeshkar, and great songs by Rajkumari, Shamshad Begum, Asha Bhosle, Geeta Dutt and Jagjit Kaur which we discussed, I would say it was as great a year as any. Nevertheless, it was a given that in the most of 1950s and 60s it was going to be a one-horse race (Lata Mangeshkar), which meant that one had to make special efforts to include ‘other’ female singers in the final list of ten.

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Best songs of 1953: Wrap Up 2

Songs of Yore award for the Best Female Playback Singer goes to Lata, Lata,.…..Lata Mangeshkar

Continuing the string of posts on the best songs of 1953, and Wrap Up 1 on the best male playback singer, I present here the second wrap up on the best female playback singer, based on the readers’ comments and my own preferences.

Lata Mangeshkar_Geeta Dutt_Shamshad Begum_Asha BhosleWho is the best female playback singer of 1953, is really a no-brainer. You can give slot 1 to 10 to Lata Mangeshkar, and there would be another ten outstanding songs, anyone of which could have made it to the list. So, writing the second wrap up on female playback songs boils down to looking carefully at the songs by ‘other’ singers to see how many can be included in the final list of ten, leaving the rest for ‘The Female Playback Singer’ of the Golden Era.

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Best songs of 1953: Wrap Up 1

Songs of Yore award for the Best Male Playback Singer goes to?

In the first Wrap Up I take a look at the best male solos of 1953. I am greatly helped by the readers’ comments on the survey article – Best songs of 1953 – which are not only very exhaustive, but much more involved and analytical compared to the last year when I did a similar string of posts on the songs of 1955. So, here is my attempt to summarise the sense of the House about the best male playback singer of 1953.

Rafi_Mukesh_Talat Mahmood_Hemant Kumar_Manna Dey_Kishore KumarA very general observation that comes out from the readers’ comments is that “it was not the year for male solos” (Subodh). Jignesh went further to say that the music of 1953 was the weakest in the entire 50s. However, it is interesting to note that it was the male solos which attracted the most intense and involved discussion, and I can point two reasons for that. One was Lata Mangeshkar – she alone accounted for as much as all the male songs taken together – we are grateful to Mr N Venkataraman for this observation based on a detailed statistical analysis. Such asymmetry always draws attention. The other reason to my mind is Mohammad Rafi – he is conspicuous by the absence of any great song which you would definitely like to include. This sent people on a feverish hunt for Rafi songs which, some felt, I might have missed to include in the shortlist. These explorers included Jignesh, Venkaramanji as well as Mr Ashok Vaishnav, who is a management professional, but who in his previous birth must have been a gold prospector. The result was that a lot many very good songs were added by these dedicated searchers, which were either unknown to me or which I had inadvertently missed. Most others such as Subodh, Anuradha Warrier, Gaddeswarupji, Kuldep Chauhan, Mr Arunkumar Deshmukh, Canasya and Mahesh Mamadapur confined themselves to my shortlist which had about two dozen male solos.

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Best songs of 1953: And the winners are?

1953 filmsSoY regulars would recall that last year I wrote a string of posts on the best songs of 1955. The idea came from the readers’ suggestion to do a yearwise review of the best songs of pre-Filmfare Award years. Even though Baiju Bawra (1952) became the first film to win the award for the  best music, it transpired that in later years, no film of 1953 or 1955 won the Filmfare award, whereas two films of 1954 – Taxi Driver and Nagin – won the award in the years 1955 and 1956 respectively. Without getting into the reasons for this discrepancy, I decided to make the record straight and covered the year 1955. From this logic, this year I am reviewing the songs of 1953 (I am proceeding in the reverse order as suggested by the readers). Thereafter, it would be the turn of 1951, after which the sequence would become regular.

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