There are some people whose reputation precedes their arrival. Jamal Sen has come in for some great praise on at least three occasions on this blog. In Subodh’s piece on Yaman, Jamal Sen’s composition Sapna ban sajan aye was mentioned in comments as one of the best examples of Yaman, and several readers mentioned him as a befitting candidate for this series. Earlier, while researching for Suraiya’s songs, I came across an unheard gem Raton ki need chheen li ankhon ke intezar ne from Shokhiyan (1951), which I had to include over some other well known songs. And later, while writing on Mubarak Begum, Jamal Sen’s contribution in giving her some of the most memorable songs, especially the duet with Mohammad Rafi, Devta tum ho mera sahara in Dayera (1953), was recognised.