Multiple Version Songs (18): Hindi-Telugu exchange

Guest article by Arunkumar Deshmukh

(The Living Encyclopaedia, Arunji, needs no introduction to the readers of SoY or other music related blogs.  His first guest article in the series on Multiple Version Songs was on Hindi-Marathi, naturally.  When I was struggling to look for someone to write on Hindi-Kannada, Arunji surprised me by doing the favour.  Telugu is one of the many languages he is proficient in.  So it was only a matter of time that he would write on it. With this, all the four South Indian languages are covered – Venkataramanji and Anuradha Warrier having already done guest articles on Tamil and Malayalam respectively.   The series conceptualised by Mr Ashok M Vaishnav has grown way beyond what he may have thought initially.  Arunji is known for the depth of his research and capacity for great detail. I thank him, as also Priya Laxmiji, Ambrish Sundaramji and Sudhirji, who have helped him in his endeavour.  – AK)

Bhakta Prahlad 1931I had the advantage of being born in a multi-language state like Hyderabad. It was a composite state of 8 Telugu speaking districts (which have now become Telangana state), 5 districts of Marathi speakers and 3 districts of Kannadigas. Hyderabad being the Capital city, people from all sectors had settled here. I had many Telugu and Kannada friends. I picked up these two languages easily as a child. Urdu was the medium of instruction till the 5th standard and Marathi was my mother tongue, while Hindi was the language of communication. No wonder I became a multi-language person, with English (and now Gujarati) to boot!

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Multiple Version Songs (12): Similar songs in Hindi and Kannada

Guest article by Arunkumar Deshmukh

(When I mentioned that Arunji is a living encyclopaedia, I was thinking of Hindi, Marathi, and perhaps Telugu films because of his early association with Hyderabad. While I was still struggling if I knew anyone who could write about Kannada, out of the blue, Arunji made an offer to write on similar songs in Hindi and Kannada. Now I know whom to approach for Santhali, Chhatisgarhi, Dogri or Manipuri languages, but I am sure Arunji will never cease to surprise us! After his excellent piece on Hindi-Marathi, please enjoy another highly educative article on the history of Kannada films, and their linkages with Hindi and other languages. – AK)

Sati SulochanaThe First Talkie in 1931 was the beginning of a revolution in Filmdom. As expected even the first talking film was singing too! It had 7 songs. This stressed two points, one – India did not lag behind in technology, and two – music was an integral part of our lives, including entertainment.

From historical and even mythological times all kings – big or small had their “Court-Singers”. With love of common people and the royal patronage, it was not a wonder that ALL talkie films in ALL languages had songs in it.

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Multiple Version songs (4): Hindi and Marathi

Guest article by Arunkumar Deshmukh

(On the blogosphere dealing with old films and music, Mr Arunkumar Deshmukh is known as a  living encyclopaedia. SoY regulars are aware of the mega series on multiple version songs, started by another stalwart, Mr Ashok Vaishnav, spanning across singers, films, genres and languages, some parts of which may require treatment by super specialists. Here comes the living encyclopaedia, writing a guest article on Hindi films and songs which have their Marathi versions. While doing this, he takes us on a fascinating journey to the earliest days of our films when Marathi theatre and films were a major influence on Hindi films. – AK)

Ayodhya Ka RajaBombay was the first major centre of film making in India. The industry thrived, prospered and grew here. Bombay being the biggest city in Marathi speaking area, no wonder, initially, the industry was dominated by Marathi speaking artists. As the industry grew, more and more Marathi people joined it in all the branches of film making, whether it was production, editing, choreography, script writing, acting, composing or singing. The period of 1920s to 1960s was a time when Hindi film industry was crowded with Marathi artists.

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