Mahendra Kapoor

OP Nayyar’s association with Mahendra Kapoor

Guest article by Ravindra Kelkar in OP Nayyar centenary series

(Ravindra Kelkar wrote a series of articles on OP Nayyar eight years ago. The grand centenary celebrations of Rafi on SOY inspired Mr Kelkar to mount a similar tribute to OP Nayyar whose centenary is on 16 January 2026. He also offered to write a number of articles culminating on the D-Day. This is Mr Kelkar’s second article in his second innings.

Mr Kelkar had close personal contact with OP Nayyar as his admirer, yet that does not cloud his judgement. Mahendra Kapoor was an important male singer for OP Nayyar in his post-Rafi phase, though Mr Kelkar acknowledges that he was not a match for Rafi. My view is somewhat nuanced. A famous song by any singer gets etched in our memory, and it is difficult to imagine it in any other voice, even in a superior singer’s voice. That would apply to some of Mahendra Kapoor’s songs by Ravi and OP Nayyar, and I have written posts on my favourite songs long ago. Mr Kelkar takes a more comprehensive look at OP Nayyar-Mahendra Kapoor combination.

Mr Kelkar has done Masters in Statistics and Computer Science, and he was an IT professional. Now retired, he is based out of Pune. Thank you Mr Kelkar for another nice article. – AK)

In my last series on OP Nayyar (6 posts in total) I had not written on this topic. I am making amends by writing this post. On the SOY blog, we already have quite a few posts related to Mahendra Kapoor, including one by AK on two songs of this combination, those songs being ‘Tumhara chahanewala’ from the film ‘Kahin Din Kahin Raat’ and ‘Mera pyar wo hai’ from film ‘Ye Raat Phir Na Aayegi’.  In the SOY family we have many Mahendra Kapoor admirers. I am impressed by their in-depth knowledge of many obscure and rarely heard Mahendra Kapoor songs. This also means that we need to include Mahendra Kapoor in the category of Rafi, Kishore Kumar, Hemant Kumar, Talat Mehmood, Mukesh and Manna Dey. The Mahendra Kapoor and Ravi combination is very popular thanks to BR Chopra and on SOY this aspect is already covered in great detail. But in my view, the quality of OP Nayyar and Mahendra Kapoor songs is even better. Though I am not a Mahendra Kapoor fan as such, I do enjoy listening to many Mahendra Kapoor songs. In my view, he did a very competent job as Rafi’s replacement in OP’s music. But for me, Rafi was in a different class all together. Mahendra Kapoor was a hardworking, sincere singer and did his best in every song that he got to render. He was also a very soft spoken person and never had any ill word for anybody, like his guru Rafi.READ THE FULL ARTICLE

Ravi’s many-splendoured genius with the ‘other’ singers

RaviWe now come to the end of the series on Ravi. In my opening post in the series we saw him as a many-splendoured genius with a large number of songs for themes and occasions, which have acquired an iconic status, many of which made the readers exclaim, Oh, this is also composed by him! Yet when some of us hesitated in bracketing him among the ‘greats’, Hans Jakhar was not pleased and challenged that at the end of the series we would concede that Ravi deserves to be called a ‘great’ music director. Without getting stuck on the semantics, please recall subsequent posts in the series: Rafi’s solos, Rafi’s duets, Asha Bhosle’s songs by him, Ravi’s special partnership with Shakeel Badayuni, Ravi’s songs for Lata Mangeshkar, and Mahendra Kapoor. That is a massive list of superhit songs with most of the major playback singers. But that is not the end of his work. He composed great songs for other playback singers too, and in this respect he ranks with those music directors whose special strength was their diversity in working with different playback singers, unlike some who were fixated on a couple of their favourites.

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Ravi: Booster rocket for Mahendra Kapoor

In my earlier posts on Mahendra Kapoor I have described him as the most ‘unloved’ singer. The general impression is that his entry into films started with his winning the ‘All India Murphy Metro Singing Contest’ in 1957 for which the judges were Anil Biswas, Naushad, C Ramchandra, Vasant Desai and Madan Mohan. One of the incentives of the competition was that the winner would get a chance to sing in films composed by the judges. However, Mahendra Kapoor had been singing in films in bits and pieces prior to the contest. He debuted as a singer in Madmast (1953), composed by V Balsara, in a duet with Ghan Indorewala, Kisi ke zulm ki tasveer hai majdoor ki basti. He also sang a qawwali in the film with SD Batish, Unhein dekhein to wah munh pher…Humein aankh dikhatein hain. But the music of this film failed to create any impact. Mahendra Kapoor got his first solo, Tere dar ki bhikmangi hai data duniya sari, in the film Diwali Ki Raat (1956), composed by Snehal Bhatkar. In the same year he sang a duet with Sabita Banerjee, O bedardi jaane ke na kar bahane, in the film Lalkar, composed by Sanmukh Babu. These songs, too, sank without a trace.

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Best duets of the not-so-unloved Mahendra Kapoor

Mahendra KapoorI had described Mahendra Kapoor as the most unloved singer in my last post on him. I have to modify that phrase, because the comments on that post indicate that he had more passionate fans and admirers than I had realised. Despite not counting myself among his passionate fans, I have a great liking for some of his songs which I place at par with the best sung by any of his contemporaries. Chalo ek baar phir se is one such iconic song which had a post dedicated to it. Similarly, I am greatly fond of some of his duets. Some readers also added duets anyway, in their comments on the post, which was dedicated to his solos. Mahendra Kapoor story would not be complete unless I write on his best duets.

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Best songs of the most unloved singer Mahendra Kapoor

A tribute on Mahendra Kapoor’s 82nd birth anniversary (9 January 1934 – 27 December 2008)

Mahendra KapoorI have made a number of discoveries during my association with SoY. I mentioned some in my last anniversary post. But the most startling discovery I have not yet mentioned – we are now aware of at least two persons on this planet who are deeply fond of Mahendra Kapoor. So this post is also dedicated to the readers KS Bhatiaji and Arvinder Sharmaji who have declared their great liking for MK, so much so that they would have preferred some well-known songs of Rafi in MK’s voice. Bhatiaji takes the cake for remembering Mahendra Kapoor on the recent birth anniversary of Rafi.  Now we find that Hans, too, has very courageously declared his fondness for him, though he wound not go as far as to put him at par with Rafi.

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Best of Mahendra Kapoor-OP Nayyar

clip_image001Mahendra Kapoor was the favourite singer of BR Chopra Films, and Ravi was their favourite composer. BR Films-Ravi-Mahendra Kapoor combination gave a large number of well known songs. After Ravi, the only music director who used Mahendra Kapoor in a significant manner was OP Nayyar, apparently on rebound when he had some rift with Mohammad Rafi. Following behind would be Kalyanji Anandji, who used Mahendra Kapoor to some degree following the great success of Mere desh ki dharti on Manoj Kumar in Upkar (1967). His songs with other music directors are few and far between.

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A Mahendra Kapur-Sahir Ludhiyanvi-Ravi classic

Chalo ek baar phir se ajanabi ban jayen hum dono

mahendra-kapur-sahir-ludhianvi clip_image001

If ever there was a song that could be described as the defining song of a singer, Mahendra Kapur’s Chalo ek baar phir se ajanabi ban jayen hum dono is one such song.

Mahendra Kapur, who came to the film world through a singing talent competition in the late fifties, was seen as a Rafi clone. That can be a great handicap; the world of film music is replete with the tragedies of clones not being able to come out of the shadow of the original star.

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