When I wrote on KC Dey’s songs in Devdas (1935), it just gave a glimpse to the readers of how great a singer he was if he could be so moving in the songs which are relatively unknown. Long before that post, I had planned to present my top favourite songs of KC Dey which got delayed for one reason or the other. With the desire rekindled I had to do it sooner than later.
RC Boral
Forgotten actor-singer of New Theatres: Asit Baran
I often wondered who filled in when New Theatres stalwarts led by KL Saigal headed for Bombay in the early 1940s? I got my answer while searching for songs from the New Theatres era, when an unknown voice held me spellbound for its incredible charm. Then some videos turned up on the YouTube. So here was not only an excellent voice but also a young and handsome face by the name of Asit Baran who had some very successful movies and outstanding songs during 1941-43. For a long time I could not find any material on him – several friends, whose knowledge I admired, seemed to know nothing about him beyond having heard his name. Then sometime back, on my request, Mr Sharad Dutt, a well known writer and short-film maker on music personalities (you would have seen his films on Naushad, Mukesh, Anil Biswas, Talat Mahmood, Pankaj Mullick etc on Doordarshan), was able to locate a very old clipping of the Screen magazine, which contained an obituary on Asit Baran. Thus I am presenting this tribute to Asit Baran, one of the unknown stars of the New Theatres, on his death anniversary November 27 (he passed away on November 27, 1984 at the age of 69).
New Theatres’ romance with Prem
Best love songs of Vintage Era
I have been in the New Theatres mood since I wrote my last post on Pankaj Mullick. BN Sircar established New Theatres in Calcutta in 1931, i.e. the same year the first talkie Alam Ara was released in Bombay. Music has been an integral part and a defining feature of our films ever since. And so it has been with the New Theatres as well. It is also not surprising that love has been the dominant theme of our songs. But the New Theatres took love to entirely unexpected heights. It was not merely a matter of semantics that pyar, mohabbat, ishq for them was Prem or Preet. It also denoted for them something deeply spiritual, other-worldly and supremely blissful.
My favourite Pankaj Mullick songs
A tribute on his birthday May 10
I became seriously acquainted with Pankaj Mullick several years after I had thoroughly absorbed KL Saigal. This would probably be the normal sequence for any non-Bengalee what with Saigal having acquired an iconic status, and generations of listeners having grown on a Saigal song every morning at 7.57 AM which would be the last song on Radio Ceylon’s programme Bhoole Bisre Geet.
The trigger point was an evening dinner gathering of friends when Chakko (short for Chakravarty, that was his name) sang Ye raatein ye mausam ye hansnaa hansaanaa. The impact on me was mesmerizing. Chakko was by no means a professional singer, it was one of those gatherings where everyone sings, some being a little better than others. Soon after I came across an LP of his songs, which not surprisingly had this song at the top. Coming to the internet age I heard many more of his songs, both films and non-films, in Hindi and Bengalee, and became more aware of the vast world of beautiful gems of Pankaj Mullick beyond Piya milan ko jana (which seemed to be the only song played in the radio days).