A tribute to old Hindi film music. Songs of the 30s through the 60s.
Kalyanji-Anandji were extremely melodious composers. But in a crowded field at the top comprising Naushad, SD Burman, Shankar-Jaikishan, OP Nayyar, Roshan, Madan Mohan, etc. they were not among the elite at the High Table. But 70s onwards the gods were kind to them. Kalyanji-Anandji showed amazing talent to adapt themselves to the new voices (read Kishore Kumar and Asha Bhosle) and new kind of music. They were undisputedly part of the Big Troika with RD Burman and Laxmikant-Pyarelal.
When I started this blog I had not thought I would be ever writing about Kamal Barot. She was not one of the biggies like Lata Mangeshkar or Asha Bhosle. She was not one of the smallies who gave at least a couple of immortal songs which you instantly recall – in this category I can think of Mubarak Begum’s Kabhi tanhaaiyon mein yun hamari yaad ayegi from Hamari Yaad Ayegi (1961) or Jagjit Kaur’s Tum apna ranj-o-gham apni pareshaani mujhe de do and Gori sasural chali from Shagun (1964). She did figure though in a large number of hit songs as one of the voices in a duet or a treblet or a multiplet (purists will pardon my freewheeling coining of new words), but none that you could solely associate with Kamal Barot.