And the SOY Award for the best duet of 1941 goes to?
I have mentioned the special charm of duets for the variety they add to the film music. In the Vintage Era it is more pronounced as we come across many gems by singers whose names we have not heard.
The long term average of number of songs gives a pattern – the number of duets is more than male solos but far short of female solos. As we run down the list of MEMORABLE SONGS in the overview post, we can see 21 duets. Sharp observers can see the total of the three categories does not add up. This deviation by 1 or 2 is because of errors in classification – some songs classified as solos should be classified as duets as we discover another distinct voice. Needless to say our analysis is not complete if we don’t include the duets – many of them are absolutely superlative though some singers are completely unknown.READ THE FULL ARTICLE
As the readers are aware from the year-wise reviews, the female solos on the average far outnumber the male solos. In the
In KL Saigal’s active years, the Best Male Singer was generally a one-horse race. He has sung great songs in 1941, too, in the film Lagan. Yet he is not a runaway winner. Nay, I would say with Doctor (1941) in which Pankaj Mullick appears as an actor-singer and the music director, he came up with a score of a lifetime. With six immortal solos from this film which I have included in the
The regulars of SOY who have been following year-wise reviews of the best songs of the year would have noticed an interesting feature. Every vintage year was characterised by some film(s) whose music became timeless. If we had Rattan in 1944 by Naushad, we had Kismet and Tansen in 1943, and Basant and Bhakt Surdas in 1942. 1941 too is no exception. If KL Saigal is there in a year, you can expect some everlasting songs. But besides Lagan (1941), Doctor helmed by the actor-singer Pankaj Mullick from New Theatres turned out to be an artistic and musical masterpiece. It is remarkable that New Theatres achieved that with a social message.