And the winners are?
This is the transition year between the 1930s and 1940s. This was the year when Himanshu Rai, the founder of Bombay Talkies, passed away. The internecine war in the studio had not yet begun. So Bombay Talkies was going great guns with Ashok Kumar and Leela Chitnis with films like Aazad, Bandhan with music by Saraswati Devi and Ramchandra Pal. Ramchandra Pal working solo also gave outstanding music for Punarmilan with a great twin song Naacho nacho pyare man ke mor (by Arun Kumar/Snehprabha Pradhan). I don’t know whether it was the first twin song of Hindi films, but I can say without hesitation and disproving my general hypothesis, that both the versions are equally good.
Disaster also struck New Theatres too, which had a huge fire destroying most of their prints. But that didn’t deter them from making some great films with outstanding music: Zindagi with lead actor-singer KL Saigal, and Nartaki with lead actor-singer Pankaj Mullick, both scores composed by Pankaj Mullick, and Haar Jeet, composed by RC Boral. READ THE FULL ARTICLE
I have mentioned the special charm of duets for the variety they add to the film music. In the Vintage Era it is more pronounced as we come across many gems by singers whose names we have not heard.
As the readers are aware from the year-wise reviews, the female solos on the average far outnumber the male solos. In the
In KL Saigal’s active years, the Best Male Singer was generally a one-horse race. He has sung great songs in 1941, too, in the film Lagan. Yet he is not a runaway winner. Nay, I would say with Doctor (1941) in which Pankaj Mullick appears as an actor-singer and the music director, he came up with a score of a lifetime. With six immortal solos from this film which I have included in the
The regulars of SOY who have been following year-wise reviews of the best songs of the year would have noticed an interesting feature. Every vintage year was characterised by some film(s) whose music became timeless. If we had Rattan in 1944 by Naushad, we had Kismet and Tansen in 1943, and Basant and Bhakt Surdas in 1942. 1941 too is no exception. If KL Saigal is there in a year, you can expect some everlasting songs. But besides Lagan (1941), Doctor helmed by the actor-singer Pankaj Mullick from New Theatres turned out to be an artistic and musical masterpiece. It is remarkable that New Theatres achieved that with a social message.
After the
1935 to 1946 have been years of KL Saigal dominance of the film music. Yet, there is something about duets that even in these years duets leave a lasting imprint. These include some duets in which KL Saigal is the male singer, but the female counterparts hold their fort. I have no hesitation in saying say that Jis jogi ka jog liya ho and Sar pe kadamb ki chhaiyaan muraliya baaj rahi have been embellished by the presence of Khursheed and Rajkumari respectively.
In my
KL Saigal in most of his active years was a colossus and, thus, the answer to this rhetorical question was a foregone conclusion. In 1942, Saigal had just one film, Bhakt Surdas, but that was enough to make his songs etched in the memories of music lovers forever. To be sure, there were many other male singers as well, such as KC Dey, Surendra, GM Durrani, Khan Mastana, Rafiq Ghaznavi etc. Out of a total of 84/85 songs in my list of MEMORABLE SONGS in the