Singers

SAFARNAMA: In Pursuit of Two Iconic Lives

A Journey with Dilip Kumar (11th December 1922 – 7th July 2021) and Mohammed Rafi (24th December 1924 – 31st July 1980)

Guest article by N Venkataraman in the series of Centenary Celebrations of Rafi with his songs for Dilip Kumar on his 102nd Birth Anniversary

(Dilip Kumar is the undisputed thespian of acting. Rafi is unarguably the most versatile singer. He became identified with the voice of many heroes. No wonder he also became the voice of Dilip Kumar, with Naushad as the admirer of both and the music director in a succession of their films. Surprising, because Naushad came wholesale to Rafi quite late in the day. Dilip Kumar is known to have asked for Talat Mahmood as his voice in some early 50s’ films. Naushad himself used Mukesh as the voice of Dilip Kumar with great success in ‘Mela’ (1948) and ‘Andaaz’ (1949). Mukesh was his voice in some more films under the baton of other music directors.

Thus, if you were on a journey with Dilip Kumar, it was not obvious that Rafi would become identified as his voice, helmed by the great Naushad. Today happens to be the 102nd birth anniversary of Dilip Kumar. Venkataramanji takes us on a fascinating journey of the two maestros in tandem as only he could. Originally from South India, he is based out of Kolkata and is a polymath in the quintessential Bengali bhadralok tradition. Thanks a lot Venkataramanji for this double treat of 102nd birth anniversary tribute to Dilip Kumar and a tribute to Rafi in the series of his centenary celebrations. – AK)

Once upon a time, in the bustling city of Peshawar, there lived a well-bred, energetic, handsome teenager, who was one of the beloved sons of his parents and the light of his family. He was oblivious of where his destiny was leading him to. Roughly 400 kms away, another young boy, a radiant soul, lived in a sleepy village near Amritsar, who possessed a heart of gold, an infectious smile and tenderness. He cherished to conquer the world with his god-gifted melody. Both of them embarked upon a captivating journey, one in pursuit of an unknown destiny and the other in pursuit of his cherished dream, traversing the landscapes of life in the process with grace and determination.  This Safarnama unfolds on a prestigious train, echoing their splendid and eventful future. The Frontier Mail is about leave the Peshawar station and let me jump in to make it my Safarnama too. To waltz through the ups and downs of their journey I am inviting everyone to make it a part of OUR journey, with a caveat that it is going to be a long haul and an exhaustive one too. READ THE FULL ARTICLE

Kalyanji-Anandji 2.0: Their best songs for ‘other’ male singers

After I had covered the best songs of Kalyanji-Anandji for Mukesh and Rafi, I once browsed through their songs for ‘other’ male singers for a lark. I was amazed to find an enormous variety of singers they had chosen. Though all the songs were well-known it had not registered in my mind instantly. The result was a post on Kalyanji-Anandji’s best songs for ‘other’ male singers. That was, of course, KA1.0 (up to 1970).READ THE FULL ARTICLE

Kalyanji-Anandji 2.0 and Kishore Kumar: Made for each other

I had written my first post on Kalyanji-Anandji about ten years ago on their best songs for Mukesh and had titled it “Made for each other”. I used that phrase studiedly because that was my instinctive feeling. Nudging by a reader made me explore their more songs – for Rafi, Other male singers, and Lata Mangeshkar and other female singers in the current year. I now discover that he composed more than twice the songs for Rafi as he did for Mukesh. But I still hold on to “Made for each other” tag for KA-Mukesh. All this discussion was limited to the 50s and 60s.READ THE FULL ARTICLE

Usha Khanna’s best songs for Lata Mangeshkar, and other female singers

Concluding the series of tributes to Usha Khanna with her best songs for Lata Mangeshkar and other female singers

Usha Khanna’s debut score in Dil Deke Dekho (1959) sounded so much OP Nayyar-ish that you may get the impression that she too would exclude Lata Mangeshkar completely and her female singer would be predominantly Asha Bhosle as she was in Dil Deke Dekho. But from her very second film Hum Hindustani (1960), just as she showed great felicity with Mukesh, she also composed a superlative Lata Mangeshkar song in the film, Chori chori tori ayi hai Radha, kadam tale haule haule. Usha Khanna showed remarkable competence for composing for most of the prominent female playback singers, such as Lata Mangeshkar, Asha Bhosle, Suman Kalyanpur and others. My first post was on her best songs for Rafi, and second on Mukesh and other male playback singers. In these two posts I have also included their male-female duets. The third and last post in the series of tributes to Usha Khanna is on her best songs for Lata Mangeshkar and other female singers. Since their duets with male singers are already covered this would be limited to their solos, and female-female duets.READ THE FULL ARTICLE

Usha Khanna’s best songs for Mukesh and other male singers

Continuing the tribute for Usha Khanna, her best songs for Mukesh and other male singers

The last post was on Usha Khanna’s best songs for Rafi on her 83rd birth anniversary (b. 7 October 1941). This was also a tribute to Rafi as a part of his centenary celebrations. How does she do with other playback singers? This is where she presents a big surprise. After her debut with Dil Deke Dekho (1959), her main male playback singer in Hum Hindustani (1960) was Mukesh! She gave many memorable songs for Mukesh subsequently, such as Teri nigahon pe mar mar gaye hum, Gori tere chalne se mera dil kurban, Chaand ko kya maloom chahta hai use koi chakor, Aaj tumse door hokar. Each a quintessential Mukesh-gem. It seems quite a misnomer to include Mukesh among ‘other’ singers. It is as if Usha Khanna was born to compose great songs for Mukesh. Similarly I remember an all-time great song by Manna Dey and one by Mahendra Kapoor composed by Usha Khanna. Her spread of singers for their memorable songs is not very wide, but enough to include her among important music directors of the Golden Era. In this post I present a sample of her versatile talent; I would also include duets of these male singers.READ THE FULL ARTICLE

Kalyanji-Anandji’s best songs for Lata Mangeshkar and other female singers

Kalyanji-Anandji were extremely melodious composers. But in a crowded field at the top comprising Naushad, SD Burman, Shankar-Jaikishan, OP Nayyar, Roshan, Madan Mohan, etc. they were not among the elite at the High Table. But 70s onwards the gods were kind to them. Kalyanji-Anandji showed amazing talent to adapt themselves to the new voices (read Kishore Kumar and Asha Bhosle) and new kind of music. They were undisputedly part of the Big Troika with RD Burman and Laxmikant-Pyarelal.

READ THE FULL ARTICLE

Some Hidden Gems of Mohammad Rafi: The Romantic Solos

Guest article by Ashok Vaishnav continuing the centenary celebrations of Mohammad Rafi (24.12.1924-31.7.1980)

(Among many romantic solos of Rafi there are several gems hidden under the layer of superhit songs. Some of the hidden gems are more melodious than superhit songs. Our SOY regular and guest author today, Ashok Vaishnav, throws the spotlight on some such gems. Ashokji is a is a prolific writer for SOY on a variety of themes. He is a known Rafi-fan, and it was unthinkable that he would not join in his centenary celebrations

As a retired engineer and now a management trainer Ashokji brings analytical rigour to his articles. He is based out of Ahmedabad. Thank you Ashokji for this interesting write-up. – AK)

The spectrum of Mohammad Rafi’s songs through his entire career contains  innumerable hues and shades, even within a given genre. Moreover, every historian or an analyst or a fan of him who have been writing, or airing the views, about his songs have had their own context or view. As such, every piece has always come out as a totally different view under the kaleidoscope. It would, perhaps, be a very safe bet to say that anything written or said about Mohammad Rafi’s songs will start repeating if, and only when, human imaginations and interests (or even those of AI in the future 😊) will reach their limits. The occasion of celebration of Mohammad Rafi’s birth centenary year has made the viewing of the spectrum of Mohammad Rafi’s songs more intense and more microscopic, and hence, much more interesting.READ THE FULL ARTICLE

Mohammad Rafi & Johnny Walker in Symbiosis

Guest article by DP Rangan as a joint tribute to Rafi on his 44th Remembrance Day and Johnny Walker on his 21st Remembrance Day.

(The title of this post says it all. When you think of Johnny Walker you think of Rafi. JW established a presence for himself and soon the producers and music directors realised that giving a song or two to him increased the commercial prospects of a film. For a comedian to achieve that status was remarkable. Thus, many songs picturised on him achieved iconic status, and are often remembered till today towering over other songs in the film. The credit was also due to Rafi who could modulate his voice to sound like JW.

The indefatigable guest author DP Rangan describes this relationship in detail as only he could. The statistics relate to only those songs that Rafi sang for Johnny Walker. JW lip-synched several songs on the screen, sung by other singers. Further, JW acted in many films in which he had no songs or no songs by Rafi. That is why you would see difference in the number of films in two tables – one only for movies, and the other movies and songs.

The symbiotic relationship between JW and Rafi extended to another unique aspect. Their death anniversaries are separated by two days. Today is Rafi’s 44th Remembrance Day. We had JW’s 21st Remembrance Day two days ago. This is a befitting tribute to two great artists in symbiosis. Thank you Mr Rangan for another superb article. – AK)

The first post in the blog SOY for 2024 was posted on 1st January by AKji, on the late Mohammad Rafi (hereinafter referred to as Rafi for brevity), a superlative playback singer who straddled the film world as a giant for over 35 years from 1944 till his early demise in July 1980. A series of articles will probably appear during this centenary year of his birth. This is my humble endeavour to contribute at least one article on the symbiotic relations he had with the noted comedian Johnny Walker (JW). I am stretching the meaning of “symbiosis” a little by taking refuge under the assumption that one is a playback singer and the other is an actor, though both are homo sapiens. AKji has written everything of note about Rafi and I have nothing further to contribute.

READ THE FULL ARTICLE

Rafi ‘s songs for “not the top heroes”

Continuing Rafi’s centenary celebrations, guest article by Sivanandam Palamadai on his songs picturised on not-so-famous actors

(Songs Of Yore has been celebrating Rafi’s centenary year 2024 with a series of articles, some by guest authors. Sivanandam Palamdai, who is one of Rafi’s prominent fans in blogosphere, now writes on his songs for not-so-famous actors. We selected this topic after some mutual back and forth discussion which he describes in some detail in the beginning of his article. But he has modestly not mentioned one development which as the host I must, that shows his utmost dedication and sincerity. After we had settled on this topic, he suffered some serious medical condition requiring hospitalisation. I had no inkling of this until I pinged him after a couple of months how he was doing. Despite my requesting him to forget the article and concentrate on his health, he came up with this brilliant piece as soon as his physical condition permitted.

Mr Palamdai has been a marketing professional, now based out of Pune for about 28 years in semi-retirement by choice. I convey my thanks to him on behalf of all the readers for the painstaking efforts he has taken to write this excellent article. – AK)

Almost two years back, I had written my first  blog for SOY on the theme of Rafi’s songs for unrecognised composers. In this birth centenary year of the legend Mohammad Rafi, AK Ji and myself were discussing on something similar and it was AK Ji who came out with the brilliant idea of focusing on his songs for those actors who were not the top heroes. Writing for SOY is always a privilege and I thank AK Ji for providing me an opportunity to continue my blogs here.

The initial idea was to select one song for all the top heroes, but we felt that would be a huge list and selecting one song would be a difficult task. Hence we decided to rather focus on those actors who were not among the top heroes. I had initially titled this article as Rafi’s songs for lesser-known and obscure actors, but that may lead to some debate as some of the actors cannot be categorized as lesser-known. You will understand once you got through the article. That is the reason I changed this to “Not the top heroes”! The language may appear not so elegant but would describe the category perfectly.READ THE FULL ARTICLE

Rafi’s best songs by Kalyanji-Anandji

Continuing the series on Rafi with a tribute to Kalyanji (30 June 1928-24 August 2000) and Anandji (2 March 1933-) on Kalyanji’s 96th birth anniversary.

When you think of Kalyanji-Anandji’s main playback singers, Mukesh comes to mind first. They seemed to be made for each other, and there is already a post on KA-Mukesh combination on this blog with this title. They composed the most songs for Mukesh, a little more than Shankar-Jaikishan. What was remarkable was that while SJ-Mukesh were generally regular for Raj Kapoor, KA had Raj Kapoor as the hero for only two films, their Mukesh songs were widely spread over many actors.READ THE FULL ARTICLE