Beena madhur madhur kacchu bol

Guest article by Ashwin Bhandarkar

(If we broadly divide the SoY community into two categories – ‘music experts’ and ‘others’ – Ashwin Bhandarkar belongs to the first category. Therefore, it is not surprising that he is appearing as a guest author; the surprise is that it has taken him so long to do so. He explains that he has “had a bee in his bonnet” for long about contributing a guest post; finally it took DP Rangan’s post on flowers to spur him to write on the connected theme of ‘bees’ and ‘honey’.

An expert who can write with a light touch is a treat to read. Ashwin’s content is impressive and shows his deep knowledge of music across genres. But what makes the piece delightful is his unpretentious style peppered with a dash of humour. It gives me great pleasure to welcome and introduce him as a guest author. Ashwin is an alumnus of BITS Pilani and IIM Calcutta, and is working with an IT services major in Pune. – AK)

Bhanwra bada naadanEver since I started following SoY, I’ve had a bee in my bonnet about contributing a guest post, but for the life of me, I could not make up my mind about the topic. Then, all of a sudden, inspiration struck after I read D.P. Rangan’s latest post – if flowers can make their debut on SoY, then it follows that bees should not bee far bee-hind, right? Therefore, busy as a bee though I have bee-n over the past few weeks, I managed to take some time out to type this post on bees – and honey – in Hindi film music and other musical genres, and luckily for me, AK has found it good enough to be published. Hope SoY followers find it interesting.

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“Whose father’s what goes?”

Wishing the readers a very Happy Holi with some songs of brazenness

Rang barseOnce a casual acquaintance, but who had a way of showing great familiarity, visited me. He started discussing something very animatedly, every second sentence he would look at me intently and ask, “Whose father’s what goes? Isn’t it?” I didn’t know what to say, because I had never heard this expression before, nor did it make any sense to me grammatically, until I had a flash. If you are still puzzled, try to translate it into Hindi. Of course, he meant: किसी के बाप का क्या जाता है?, or KKBKKJH. There are times when nothing but WFWG can convey what you want to say.

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Flowers bloom in Bollywood

Guest article by DP Rangan

(Someone suggested a post on flower songs, Hans offered to compile a list of such songs, and our man of many flowers, the evergreen and eternal romantic, DP Rangan, offered to write a post. And here we are.

Flowers are a common motif across cultures with a variety of associations – from offering in pujas, to greetings for all occasions, to decorations, to expression of love, to varmala, to funeral wreath etc. The wilted flower can also denote sadness of a lady whose lover is away. Bollywood found another use during its prudish phase when two flowers touching each other due to breeze signified intimacy between the leading couple hiding behind the bushes. Mr Rangan explores through film songs several of these emotions and moods. His write-up shows his usual in-depth research of the subject. As we welcome the onset of spring with blooming of myriad flowers, let us enjoy another fine post by Mr Rangan with thanks to him. – AK)

FlowersThe mere sight of flowers lining the roads and pathways sends us into a tailspin of unbounded joy and uplifts us into a higher plane of existence. When we see them spread all over the meadow or covering bushes and trees in full bloom with resplendent hues and colours, our spirit is uplifted and romantic illusions start building up. Flowers in splendid array affect human beings in a myriad ways and we all succumb to its magic of seduction to forget our day to day worries and travails and be a part of the magic world they entice us to.

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Bollywood celebrates Deepavali

Wishing Happy Diwali with guest article by DP Rangan

(Readers are now used to seeing DP Rangan’s name as a guest author regularly.  He can write faster than I can schedule him on SoY. At any point of time I have a couple of his articles in my mail. I admire his amazing enthusiasm. I am happy to present another well-written article by him containing some rare vintage Diwali songs – impressive for someone whose first language is not Hindi.  Thank you Mr Rangan for this offering of Diwali songs. – AK)

DiwaliIndia, that is Bharat as it was known in ancient days, is populated by heterogeneous group of people following their own religion. Many religions like Buddhism, Jainism flourished at one time or the other, but disappeared over time with very few or none practicing it today. Hinduism is the predominant religion followed by the populace right from the Punjab in the North to Kanyakumari in the South. Despite difference in language and custom in the country, the basic tenets of Hinduism have remained the same and one could perceive a tenuous link among Hindus across the country. Again Hinduism is not a religion in the strict sense of the term, but a way of life amidst its followers. The basic tenets of life, i.e. creation, maintenance and destruction, are represented by the triumvirate of Gods and their consorts in the Hindu religion and there are numerous festivals in honour of them. That way all religions of the world have their own festivals. Hindus celebrate more festivals in a year compared to other religions. The major festival among them are Deepavali and Dussera. The present blog will confine itself to discussion of Deepavali, and the manner of its celebration in the country.

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Songs of Angana

Aanagn me upnayanWe have seen in the songs of atariya how its vantage location at the back of a house makes it an ideal secret meeting point for the lovers. Aangan or angana, i.e. courtyard, on the other hand, is a central feature of the house. Open to the sky, and surrounded on the four sides by verandah and living rooms, this quadrangle is the place where the family lives out its life, does all its mundane chores of daily existence, and also holds all its ceremonies and special occasions.

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Bacchus in Bollywood

Guest article by DP Rangan

(The intoxicating drink as elixir of life is a part of mythology in almost all cultures. Harivansh Rai ‘Bachchan’ said that while the world celebrates Holi and Diwali only once a year, दिन को होली रात दीवाली रोज़ मनाती मधुशाला. After galloping on the High Horse, riding the tonga, and romancing with moon and stars in the night, DP Rangan ventures into the delights and sorrows of drinking. I have described him as a seventy plus-going on-seventeen, which makes him short of the minimum legal age for drinking. But this is an age when a youthful heart is filled with forbidden thoughts. In this well-researched article, typical of him, he takes us through the mythology and history of liquor and some drunken songs of Bollywood. Thank you Mr Rangan for another nice article from your inexhaustible repertoire. – AK)

Dilip Kumar and MotilalHomo sapiens have been indulging in drinks from time immemorial. There are enough records in writing or stone carving to demonstrate this fact. Our religious literature talks of Aryans drinking somras after performing yagnas. Adverse effect on health of habitual drunkards did not deter them from indulgence. It came to be accepted as a consequential hazard. History is replete with instances of kings ruining themselves by excessive drinking and also destabilising their kingdoms due to negligence of proper administration leaving it in the hands of their incompetent or even villainous henchmen. The final sufferers were the common populace.

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Dekho Dosto Chhed Ka Maza!

Guest article by Shalan Lal [The title is adapted from Hasrat Jaipuri’s lyrics in the film ‘Shararat’ (1959)]

(From Krishna teasing the gopis to Kishore Kumar, Shammi Kapoor and other heroes teasing heroines in the films, chhed chhad has been an integral part of our culture.  You would expect from the title that the post would contain a brief write up and some chhed chhad songs.  But as the readers have seen Shalan Lal in her Aviary of Songs, she infuses even the most commonplace subject with deep knowledge of literature, arts and music. In her second guest article for SoY, she similarly explores the origin of teasing and myths related to the pastime of harmless leg-pulling across cultures, and also presents some of the best Hindi film songs in the genre. Thank you, Shalan.AK)

PadosanThe SoY posts bring attentions to certain aspects of music, songs, themes and music makers etc. So I laboured to see if there was any mileage in the genre called Chhed chhad songs in the SoY. I found that it was yet an uncovered territory and I could add some interesting material about it.

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Tonga in the Tinsel World

Guest article by DP Rangan

(DP Rangan has been a familiar figure in the comments section.  He recently debuted as a guest author with his piece on Bollywood’s love affair with horses.  I had introduced him as a member of the very senior brigade, who has the enthusiasm of a teenager.  The proof is this sequel to his last post.  He had planned to put the cart before the horse, but on my suggestion he has right-sequenced the order.  For someone whose first language is not Hindi, the collection of songs is absolutely impressive.  Thank you Mr Rangan for another outstanding piece. – AK)  

Tonga songI have written enough about the horses in my earlier post and how they are part and parcel of humans even in the present age of technological advancement. Encouraged by the response of the generous readers to my first effort at ‘writing’, I venture to write its sequel on their use in horse carts, or tongas. Horses continue to be yoked to carts and haul people and goods from place to place. Fortunately, horse carts have been phased out from almost all the metropolis and may be a rare sight in countryside too. I am happy to see them in partial liberation. I hope to see a reincarnation of Abraham Lincoln to free them in totality and ensure they roam in whatever little is left of the wild. Film producers, of late, are not incorporating such scenes in their films. It is only an educated guess as I have not been to a theatre for more than fifteen years and have rarely sat before the idiot box with the technical name of Television. I am a computer nerd and, while trawling through internet, chanced upon SoY and my life thereafter became topsy turvy. I saw many snippets of songs based on tonga/cart scenes and decided to present them to the followers of this blog.

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Multiple Versions Songs (24): Songs having versions across different films – similar initial lyrics in mukhada

Guest article by Ashok M Vaishnav

(The founder of the mega series Multiple Version Songs, Ashokji brings up another one from his inexhaustible storehouse of multiple versions on different criteria. The multiple versions so far have generally been from the same film. Continuing his series he brings up an interesting variety of songs which have multiple versions across different films. In some cases these may be a traditional bandish, where you may find some versions outside films. Some traditional bandishes have been sung by a large number of classical and semi-classical singers. He has left out such songs for practical reasons. This post too shows his capacity for detailed research. The present post includes less than half of what he has compiled. We may put up the remaining songs subsequently, depending on the readers interest.– AK)

Multiple version songsTill now all the multiple version songs that we talked belonged to the same film, except of course, version songs across different languages. We now chart a different trajectory of Multiple Versions of Songs.

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Bollywood’s love affair with Horse

Guest article by DP Rangan

(We started the New Year with our tiny friends – birds – introduced to us by a scholarly guest article by Shalan Lal. At the other end of the spectrum, the large species Horse has been even more integral to us through the history. And introducing these beautiful animals is this erudite article by DP Rangan through Bollywood’s love affair with the Horse.

Mr Rangan is a latecomer to the SoY, but he has made his presence felt by his active engagement and informative comments. He is diligently devouring the previous posts of SoY, and like Shalan writes to me long mails on various topics. From his mails I have gathered that after retirement from government service long ago he has become a globe trotter, spending time with his sons who are settled abroad and touching home in Delhi periodically. Well over seventy, he joins the senior brigade of SoY, but has the enthusiasm of a teenager. We are fortunate to have grand opening by two guest authors at the beginning of the year, and I am sure we are going to see many more from them. Welcome Mr Rangan formally at the top line and thanks a lot for this excellent piece. – AK)

Bachpan ke dinHorse is no stranger to us bipeds and its life is closely interwoven with that of humans. As an utilitarian they have no equals. They served mankind, albeit unwillingly as mounts, beasts of burden, plough draggers, stagecoach haulers, Victoria pullers, transporting royals and dignitaries to name a few.

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