Rafi ‘s songs for “not the top heroes”

Continuing Rafi’s centenary celebrations, guest article by Sivanandam Palamadai on his songs picturised on not-so-famous actors

(Songs Of Yore has been celebrating Rafi’s centenary year 2024 with a series of articles, some by guest authors. Sivanandam Palamdai, who is one of Rafi’s prominent fans in blogosphere, now writes on his songs for not-so-famous actors. We selected this topic after some mutual back and forth discussion which he describes in some detail in the beginning of his article. But he has modestly not mentioned one development which as the host I must, that shows his utmost dedication and sincerity. After we had settled on this topic, he suffered some serious medical condition requiring hospitalisation. I had no inkling of this until I pinged him after a couple of months how he was doing. Despite my requesting him to forget the article and concentrate on his health, he came up with this brilliant piece as soon as his physical condition permitted.

Mr Palamdai has been a marketing professional, now based out of Pune for about 28 years in semi-retirement by choice. I convey my thanks to him on behalf of all the readers for the painstaking efforts he has taken to write this excellent article. – AK)

Almost two years back, I had written my first  blog for SOY on the theme of Rafi’s songs for unrecognised composers. In this birth centenary year of the legend Mohammad Rafi, AK Ji and myself were discussing on something similar and it was AK Ji who came out with the brilliant idea of focusing on his songs for those actors who were not the top heroes. Writing for SOY is always a privilege and I thank AK Ji for providing me an opportunity to continue my blogs here.

The initial idea was to select one song for all the top heroes, but we felt that would be a huge list and selecting one song would be a difficult task. Hence we decided to rather focus on those actors who were not among the top heroes. I had initially titled this article as Rafi’s songs for lesser-known and obscure actors, but that may lead to some debate as some of the actors cannot be categorized as lesser-known. You will understand once you got through the article. That is the reason I changed this to “Not the top heroes”! The language may appear not so elegant but would describe the category perfectly.READ THE FULL ARTICLE

Rafi’s best songs by Kalyanji-Anandji

Continuing the series on Rafi with a tribute to Kalyanji (30 June 1928-24 August 2000) and Anandji (2 March 1933-) on Kalyanji’s 96th birth anniversary.

When you think of Kalyanji-Anandji’s main playback singers, Mukesh comes to mind first. They seemed to be made for each other, and there is already a post on KA-Mukesh combination on this blog with this title. They composed the most songs for Mukesh, a little more than Shankar-Jaikishan. What was remarkable was that while SJ-Mukesh were generally regular for Raj Kapoor, KA had Raj Kapoor as the hero for only two films, their Mukesh songs were widely spread over many actors.READ THE FULL ARTICLE

Kasme vaade pyar wafa sab

Our elections are now over after a most toxic campaign. When the two formations were not abusing each other they were competing in promising the electorate moon. Voters seem to have now become smart. They must have realised that most of the promises would not be, cannot be fulfilled. There is no free lunch; if someone offers something free, something else has to give way. But one of the two principal rivals came up with a nice tagline: “My guarantee also means a guarantee that the guarantee would be fulfilled.” That is a good one, something like “Raj Raj Raj & Company”. In Shree 420 the dreams of the people were fulfilled, in the real world the voters have to wait for the bounties promised to them.READ THE FULL ARTICLE

Songs of Yore completes 14 years

When I started this blog I never imagined that it would go on for so long. And it is not just clocking year after year. Songs of Yore is perhaps the only place where you will find a comprehensive series on Arrangers and Musicians, the people who embellished the songs with various instrumental preludes, interludes and postludes, but who remained behind the curtain. The series started in January 2023 and after 14 articles has come to a close in April 2024. Our familiarity with names like Sebastian D’Souza, Van Shipley, Anthony Gonsalves, Goody Seervai, Manohari Singh etc. may not have been more than just knowing their names. The series helped us know more about them and also connect famous songs they were associated with. We can’t thank enough the guest authors Piyush M Pandya (Gujarati original) and Ashok M Vaishnav (English translation) who wrote the articles in the series. They so fittingly titled each article as “The Sculptors of Film Music”. Our indefatigable DP Rangan turned out a number of guest articles on a variety of themes. READ THE FULL ARTICLE

Best songs of 1941: Wrap Up 1

And the SOY Award for the Best Male Singer goes to?

In KL Saigal’s active years, the Best Male Singer was generally a one-horse race. He has sung great songs in 1941, too, in the film Lagan. Yet he is not a runaway winner. Nay, I would say with Doctor (1941) in which Pankaj Mullick appears as an actor-singer and the music director, he came up with a score of a lifetime. With six immortal solos from this film which I have included in the Overview Post, Pankaj Mullick is by far the front-runner in 1941.READ THE FULL ARTICLE

Harmonica songs

In my series of articles on musical instruments starting from the grand piano I have gradually covered smaller instruments, the last being the flute. I end the series with a still smaller instrument. Harmonica is a pocket-sized most intimate instrument as you play sliding it over your lips and blow air into its holes. Behind each hole is at least one reed. The basic parts of a harmonica are the comb, reed plates and cover plates. The comb, because of its shape like a comb; the reed plates and cover plates make a sound chamber which creates melodious music depending on the skill of the player. Harmonica is also popularly known as the mouth organ. It comes in various types and is used in many genres of music. You can refer to Wikipedia for more technical details.READ THE FULL ARTICLE

Best songs of 1941

And the winners are

The regulars of SOY who have been following year-wise reviews of the best songs of the year would have noticed an interesting feature. Every vintage year was characterised by some film(s) whose music became timeless. If we had Rattan in 1944 by Naushad, we had Kismet and Tansen in 1943, and Basant and Bhakt Surdas in 1942. 1941 too is no exception. If KL Saigal is there in a year, you can expect some everlasting songs. But besides Lagan (1941), Doctor helmed by the actor-singer Pankaj Mullick from New Theatres turned out to be an artistic and musical masterpiece. It is remarkable that New Theatres achieved that with a social message.READ THE FULL ARTICLE

Book Review: DIRECTOR’S CHAIR

DIRECTOR’ CHAIR Hindi Cinema’s Golden Age By Manek Premchand Published by: Blue Pencil 2024 ISBN: 978-81-956660-8-9; Pages: 571 Price (Paperback on Amazon): ₹750 Manek Premchand is a familiar name to the readers of Songs Of Yore. He has written a number of books on Hindi film music and music personalities. The title of this bookREAD THE FULL ARTICLE

The Sculptors of Film Songs (14): Four Shades of the Dusk of the Series

The concluding article in the series on Arrangers and Musicians by guest authors, Piyush M Pandya (Gujarati original) & Ashok M Vaishnav (English translation), wishing everyone Eid Mubarak

(As we celebrate Eid, our guest authors Piyush M Pandya and Ashok M Vaishnav mark the happy occasion with their concluding article in the series on Arrangers and Musicians. In the thirteen earlier articles, eleven focussed on individual talented artistes, such as Anthony Gonsalves, Van Shipley, Enoch Daniels etc, and two were devoted to families whose more than one generation comprising several artistes made an impact – The Lords and Ramprasad Sharma & Sons.  

The concluding article brings the curtain down on the people who remained behind the curtain anyway. This also marks the end of the way music was made – a metaphorical dusk of an era. The authors discuss four different artistes who were active during the dusk. On behalf of the readers I convey our heartfelt gratitude to Piyushji and Ashokji for this wonderful series and a befitting concluding article. – AK)

Arrangers and musicians have been the unsung heroes, who gave shape to the music in films with their imaginative art and creative craft. Some of these arrangers and musicians had their work documented, howsoever sketchy it was. However, there are many more who remained unsung within the tribe of ‘unsung heroes’. We conclude our present series with four such unsung among unsung musicians whose work has mainly trickled in through the public programmes they have participated in, even though each one was a master of his own instrument(s), and has enriched the Hindi film music by expanding the range of these instruments.

Bhanu Gupta

The world of science is replete with cases where some great inventions happened from inadvertent errors. One most famous example is that of Penicillin. Sir Alexander Fleming was working on a cure for Pneumonia, rampant during WWI. In 1928, Dr Fleming observed that a particular type of mould growing on a Petri-dish of Staphylococcus bacteria seemed to be preventing the bacteria around it from growing. We know that accidental discovery of the mould as almost cure-all, Penicillin.READ THE FULL ARTICLE

The Sculptors of Film Songs (13): Ramprasad Sharma & Sons

Guest article by Piyush M Pandya (Gujarati original) and Ashok M Vaishnav (English translation)

(Ramprasad Sharma may be an unfamiliar name to many, but Laxmikant-Pyarelal duo were the biggest guys on the film music scene. They broke all the records: for number of films for which they composed music, total number of songs by them, total number of songs for the biggest singers, Lata Mangeshkar and Rafi. They went through the grind, climbing all the ladders from the beginning: musician, arranger, assistant music director and finally the pinnacle. Pyarelal was the son of Ramprasad Sharma, who was a highly respected musician, scholar, music director and teacher in the 40s and early 50s. His other sons too, namely Gorakhnath, Ganesh, Anand, and Naresh; and grandsons Monty and Mithun all came into music.

Ramprasad’s pupils include a galaxy of well-known names who came to him to learn notation. He did not achieve great commercial success as a music director, and had to work for other music directors like Naushad and C Ramchandra. The trumpet in ‘Suhani raat dhal chuki’ was played by Ramprasad Sharma. I profusely thank the guest authors Piyush M  Pandya and Ashok M Vaishnav for covering an important personality and his family in the series on Arrangers and Musicians. – AK)

The title of this episode may sound like a typical name we were used to seeing on the signboards in the markets in any town during the 1950s to ‘70s. The signboard would further read “Wholesale Merchants of Grains” or “Wholesale Cloth merchants” etc. Well, what has that to do with this series about musicians and arrangers? Is the present episode about some such firm which probably had been associated with ‘selling’ music instruments?

Well, No. Ours is a narrative of three generations of artists who have been practicing musicians in the world of Hindi film music: Ramprasad Sharma, a complete music director, researcher, composer and arranger with an in-depth knowledge of all known musical instruments, their notations and playing techniques in Indian as well as western styles; his sons: Pyarelal, Gorakhnath, Ganesh, Anand, Naresh; and the grandsons: Monty and Mithun. As is the case with most of the second and third tiers of artists like arrangers and musicians under the label ‘Music Director’, these names would not make sense with most of us, unless we further qualify Pyarelal with the suffix of ‘Laxmikant-Pyarelal duo’.

Ramprasad Sharma

Ramprasad Sharma (1900 -1995) belonged to Gorakhpur in the then United Provinces (present day Uttar Pradesh). The band master of Bharatpur State recognised Ramprasad’s flare for instrumental music. He played the trumpet here. He then played in Agra Military Band. This groomed him into the art of music arrangement to rise to the position of Band Master in a circus. He toured Delhi, Lahore and Calcutta with the circus. He settled for some time in Calcutta and worked for Columbia and New Theatres. At that stage, he mastered playing ten instruments and had acquired good knowledge of intricacies of classical raags.READ THE FULL ARTICLE