Best songs of 1940

6 May 2025

And the winners are?

This is the transition year between the 1930s and 1940s. This was the year when Himanshu Rai, the founder of Bombay Talkies, passed away. The internecine war in the studio had not yet begun. So Bombay Talkies was going great guns with Ashok Kumar and Leela Chitnis with films like Aazad, Bandhan with music by Saraswati Devi and Ramchandra Pal. Ramchandra Pal working solo also gave outstanding music for Punarmilan with a great twin song Naacho nacho pyare man ke mor (by Arun Kumar/Snehprabha Pradhan). I don’t know whether it was the first twin song of Hindi films, but I can say without hesitation and disproving my general hypothesis, that both the versions are equally good.

Disaster also struck New Theatres too, which had a huge fire destroying most of their prints. But that didn’t deter them from making some great films with outstanding music: Zindagi with lead actor-singer KL Saigal, and Nartaki with lead actor-singer Pankaj Mullick, both scores composed by Pankaj Mullick, and Haar Jeet, composed by RC Boral.

This was also the year of transition from Sagar Movietone to its off-shoot National Studios. The director Mehboob and music director Anil Biswas were common to Sagar’s last film Alibaba, and National’s Aurat. Ranjit Movietone’s Holi had some great songs composed by Khemchand Prakash. I find a few other films of Sagar listed in HFGK, with songs that are not top of recall.

This was also the year of transition of the style of music from the 1930s which was heavily classical-based to a more fluid style led by Anil Biswas who was open to different kinds of influences. He was not only the Bhishm Pitamah chronologically, but as one who can be credited to lay the foundation of what we know as film song. Not only New Theatres  stalwarts started flocking to Bombay, but from talents from different regions were attracted to the Dream City.

For those familiar with vintage era songs, that gives a great variety of songs to refresh our memory and enjoy.

As we can expect, the number of songs of which nothing is known about the singers is far more than the songs with singers credited. This would be evident from the following broad statistics.

Broad Statistics

1. Number of films in 1940 86
2. Less number of films for which no details known (-1)
3. Net number of films in which song titles known 85
4. Number of songs in which song titles known 789
5. Less number of songs of which singers are not known (-438) or 55.51%
6. Net number of songs of which singers known 351 (44.49%)
7. Male solos 96 (27.35%)
8. Female solos 141 (40.17%)
9. Duets 114 (32.48%)
10. Male solos: Female solos: Duets ratio 1:1.47:1.19

(My source is Hindi Film Geet Kosh. It is possible some more songs are available with private collectors, or uploaded on YouTube. Songs with more than two identified singers I have included in duets. Chorus songs with one prominent voice I have included as a solo. Pure chorus, or choruses with though distinct voices, but unidentified I have included in unknown songs in Row 5 that account for over 55% songs in the year.)

Debut, Fact-file and Trivia

This was the year when Naushad debuted as an independent music director with Prem Nagar, though we have seen earlier that his first recorded song is said to be Bata do koi kaun gali gaye Shyam in the voice of Leela Chitnis in the film Kanchan (1941), which got released later. The music of this film  is credited to Gyan Dutt. No one could have predicted then that this young man would in four years emerge as the Mighty Mughal of Movie Music.

SS Vasan started Gemini Studios. Master Vinayak and PK Atre started Navyug Films. Sagar Movietone had last movie in the year, Alibaba, directed by Mehboob Khan with music by Anil Biswas. Mehboob Khan also directed Sagar’s offshoot National Studios production the blockbuster Aurat. Many years later he remade it into another landmark film Mother India (1957), but by that time Naushad had replaced Anil Biswas as his regular music director. A most interesting common thread between the two films was Kanhaiyalal who played the role of the evil, heartless money-lender, Sukhilala.

The number of films remained below 100 in 1940 too. The Second World War was raging ferociously. This led to shortages and rationing of the raw stock. The War had some unintended consequences which changed the structure of movie industry in the long run. The War-induced black-marketing led to different kinds of money coming to the film industry, which spelt the beginning of the end of the Studio era.

Prabhat Studios made their another saint movie in the year.

MEMORABLE SONGS

With that preamble, now is the time to shortlist memorable songs of the year. I have also included at the end of film songs over 20 non-film songs (NFS). My main source has been Atul Song A Day which lists many NFS in 1940. These may not all be in one year, but near-abouts. Many of these have been my all time greats, So while I may mention them in Special Songs, I would not include them in the main competition.

Aandhi: Music KC Dey
1. Chala gaya toofan, aa kar chala gaya toofan – by KC Dey (Lyricist Arzoo Lakhnavi)
2. Maan na kar ab sajni, maan le aan, kaahe ko mukh mode – by KC Dey (Lyricist Arzoo Lakhnavi)
3. Prem bansuriya bajaao saajan – Pankaj Mullick & Radharani, music KC Dey (Lyricist Rashid Gorakhpuri)
Aazad: Lyrics Jamuna Swarup Kasyap ‘Natwan’, Music Saraswati Devi & RC Pal
4. Saajan mohan waari tum mere main tumhari – Hansa Wadkar
Achhoot: Lyrics PL Santoshi; Music Gyan Dutt
5. Raghpati Raghav raja ram., patit paavan sitaram – Gohar Mamajiwala, Unknown Male voice, Vasanti
6. Koi bajaao na prem ki veena – Khursheed
Alibaba: Lyricist Dr Safdar ‘Aah’; Music Anil Biswas
7. Teri in aankhon ne kiya beemar haye – Surendra, Waheedan
8. Hum aur tum aur ye khushi – Surendra, Waheedan
Aurat: Lyricist Dr Safdar ‘Aah’; Music Anil Biswas
9. Kaahe karta der baraati, lana hai tohe pee ki nagariya – by Anil Biswas & chorus
10. More angana mein laga ambua ka ped – by Anil Biswas & chorus
11. Jamuna tat Shyam khelein holi – by Anil Biswas & chorus
12. Bol bol re bol ban ke panchhi bol, tere meethe geet suhaane – by Surendra, Jyoti
13. Uth sajni khol kiwaade tere saajan aaye duaare – Surendra, Jyoti
Bahurani: Music Rafiq Ghazanvi
14. Zara muskura kar milaa nazar hi – by Zohra Jan
Bandhan: Lyricist Pradeep; Music Saraswati Devi and Ramchandra Pal;
15. Chane jor garam babu main laya majedaar – by Arun Kumar
16. Chal chal re naujawan, kahna mera aan, chal chal re naujawan – Suresh/ Ashok Kumar (Ramchandra Pal)
17. Apne bhaiya ko naacch nachaaungi – Leela Chitnis, Suresh
18. Kaise chhipoge, ab tum kaise chhipoge, O salone saajana – Leela Chitnis
19. Chal chal re naujawan, chalo sang chale hum, door tera gaon – Leela Chitnis, Ashok Kumar
20. Piu piu bol, piu piu bol, pran papohe piu piu bol – Pradeep
21. Ruk na sako to jaao – Arun Kumar
Ek Hi Bhool: Lyrics Sampat Lal Shrivastava ‘Anuj’; music Shankar Rao Vyas
22. Duniyawaale pagal kahte hain – Ramesh Desai
23. Main phoolon ki sugandh bankar upvan sara mahkaaun – Amirbai Karnataki and NM Adhikari
Haar Jeet: Music RC Boral
24. Mast pawan shaakhein lahraayein – Kanan Devi, Pahadi Sayal
25. Tum Manmohan, tum sakhiyan sang, hans hans khelo phaag – Kanan Devi
Holi: Lyricist DN Madhok. Music Khemchand Prakash
26. Phagun ki rut aayi re zara baaje bansuri – Sitara, Amritlal
Main Hari: Lyricist Kamal Amrohi; Music Mir Saheb
27. Panghat pe ek chhabili – Khan Mastana
28. Sanwariya se hamri naahin bani re – Menaka Bai
Matwaali Meera: Lurics Pt. Bhushan, Music Master Brijlal Verma
29. Mere to Giridhan Gopal doosro na koi (Meerabai) – Mukhtar Begum
30. Mhane chaakar raakhoji (Meerabai)
31. Jogi mat ja (Meerabai) – Mukhtar Begum
Narsi Bhagat: Music Shankar Rao Vyas
32. Vaishnav jan to tene kahiye jo peer parayi jaane re – Amirbai Karnataki
33. Deendayal dukh bhanjan..Maine prabhu ke darshan paye – Amirbai Karnataki
Nartaki: Lyricist Munshi Arzoo; Music Pankaj Mullick
34. Madbhari rut jaaan hai – Pankaj Mullick
35. Ye kaun aaj aya savere savere – Pankaj Mullick
36. Prem ka nata chhoota, prem na chhoota – Pankaj Mullick
Pooja: Lyrics Shatir Ghazanvi, Music Anil Biswas
37. Lat uljhi suljha ja re baalam, haatho ein mehdi lagi hai – Jyoti
Prem Nagar: Lyricist DN Madhok; Music Naushad Ali
38. Aaye re pee ki nagariya se aaye re – Sharda
Punarmilan: Music Ramchandra Pal
39. Naacho naacho pyare ma ke more, aaj mee jeevan mein chhaya basant – Arun Kumar (lyrics Pradeep)
40. Nacho nacho pyare man me more – Snehprabha (lyrics Anand)
41. Aao banayein gharwa pyara – Snehprabha Pradhan & Arun Kumar
Sant Gyaneshwar: Music Keshavrao Bhole
42. Sabse pyare hain duniya mein khet hamaare – Vasant Desai
Sneh Bandhan (aka Intezaar): Lyrics Pt. Narayan Prasad ‘Betab’, Music Pannalal Ghosh
43. Daras bina dukhan laage nain (Meera bai?)Miss Bibbo
Suhaag: Music Timir Baran
44. Aaj suhaag ki raat sej meri ban gayi phulwari (lyrics Pt. Indra) – Rajkumari
Zindagi: Lyrics Kidar Sharma; Arzoo Lakhnavi; Music Pankaj Mullick
45. Deewana hun deewana hun, raahat se begana hun – KL Saigal (lyrics Kidar Sharma)
46. Main kya jaanun kya jadoo hai, in do matwale nainon mein jadoo hai – KL Saigal (Lyrics Kidar Sharma)
47. Jeevan asha ye hai meri – KL Saigal
48. So ja rajkumari so ja so ja main balihari so ja – KL Saigal

Non-film-songs (NFS)
1. Aah ko chaahiye ek umra asar hone tak – KL Saigal (ghazal by Ghalib)
2. Ab kya bataaun main tere milne se kya mila – KL Saigal (ghazal by Seeemab Akbarabadi)
3. Baqadr-e-shauk iqrar-e-wafa kya – KL Saigal (ghazal by Seemab Akbarabadi)
4. Dheere se jana bagiyan mein re bhanwra – SD Burman (music SD Burman)
5. Dil dekar dard liya maine maine maine – Jagmohan Sursagar (NFS), lyrics Faiyyaz Hashmi, music Kamal Dasgupta
6. Duniya mein hun duniya ka talabgar nahin hun – KL Saigal (NFS ghazal by Seemab Akbarabadi), music KL Saigal
7. Ghar ye tera na sada ye mera hai – KL Saigal (ghazal by Arzoo Lakhanvi)
8. Har ek baat pe kahte ho tum ki tu kya hai – KL Saigal (ghazal by Ghalib)
9. Hairat se tak raha hai jahaan-e-wafa mujhe – Master Madan
10. Hari bin koi kaam na aayo – KL Saigal (lyrics Lal Das)
11. Holi khelein Kanhaiya baro ragri – KC Dey
12. Humjoliyon ki thi toliyan – KL Saigal
13. Ibn-e-Mariam hua karey koi – KL Saigal (ghazal by Ghalib)
14. Jab chaand mera nikla chhayi thi ghatayein – Pankaj Mullick (lyrics Faiyyaz Hashmi, music Pankaj Mullick)
15. Jin jaao ri gori aaj paniya bharan – KL Saigal
16. Kaun bujhaave ho Ram – KL Saigal
17. Main jo dinan ki chhori piya more maanat naahin – KL Saigal
18. Main rota hun mat mana karo – Pankaj Mullick, music Pankaj Mullick
19. Na tum mere na dil mera na jaan-e-naatwan meri – Kamla Jharia
20. Phir mujhe deeda-e-tar yaad aya – KL Saigal (ghazal by Ghalib)
21. Saanwariya raag se aag lagi – Mukesh
22. Ye raatein ye mausam ye hansna hansana – Pankaj Mullick

Special songs

1. Hari bina koi kaam na ayo by KL Saigal (1940), NFS Bhajan, lyrics Lal Das

I am posting this non-film bhajan by KL Saigal at the top of Special Songs, not because of poignancy in Saigal’s voice, but poignancy in searching for his rare songs whose existence was known, but which were not available in public domain. For KL Saigal’s fans, a goldmine was the site dedicated to him by one of his crazy fans was www.kundanlalsaigal.com. This was my go-to site for any information on him. Alas, that site seems to be no longer available. But Sudhir Kapur has written a nice article on ASAD in which he also gives his search and download from that site.

2. Jamuna tat Shyam khelat hori, by Anil Biswas & chorus from Aurat (1940), lyrics Dr Safdar ‘Aah’, music Anil Biswas

Sudhir Kapur on ASAD expresses doubts about the singers, and speculates the singers could be Arun Ahuja, Jyoti, Sardar Akhtar & chorus, music Anil Biswas. In Mother India (1957), Naushad had composed a Holi song, Holi ayi re Kanhai rang chhalke suna de zara bansuri. Both Anil Biswas and Naushad were masters of chorus songs.

3. Jogi mat ja by Mukhtar Begum from Matwali Meera (1940), lyrics Meerabai, music Master Brijlal Meera

Almost every great singer has sung this Meera bhajan. Everyone had a plaintive cry to jogi not to leave. Mukhtar Begum’s version is no less poignant.

4. Raghupati Raghav Raja Ram, patit paavan sitaram by Gohar Mamajiwala, Vasanti and others from Achhoot (1940), lyrics PL Santoshi, music Gyan Dutt

This bhajan has gained nationwide popularity thanks to its adaptation by Gandhiji in his mas meetings. The film  version would always take some liberties with the lyrics which gives some justification for attributing it to the lyricist PL Santoshi. It is said to be originally written by Swami Sri Lakshmanacharya. Gandhiji is supposed to have modified it to include the lines Ishwar Allah tero naam, sabko sanmati de bhagwan. The film version does not follow either. This film was made by Ranjit Movietone, an important production house in the Studio Era. The lead actress and a prominent voice in the song is Goharjan Mamjiwala, the consort of Seth Chandulal Shah, the owner of Ranjit Movietone. The music director is a Ranjit regular of those days, Gyan Dutt.

5. Sabse pyare hain duniya mein khet hamaare by Vasant Desai from Sant Gyaneshwar (1940), music Keshavrao Bhole

Vasant Desai’s name figures in the cast way down after Shahu Modak etc. It is clear he was kept those days for minor singing roles in Prabhat Films. Keshavrao Bhole, a Prabhat stalwart in the music department gave music in the film. I must say Vasant Desai was endowed with a pleasant voice, and he sings an excellent song. Alas, the tastes changed and he gradually gave up singing even when he later debuted as an independent music director.

6. Zara muskura kar milaao nazar hi by Zohra Jan from Bahurani (1940), music Rafiq Ghaznavi

Who is this Zohra Jan or Begum? Must be from Kolkata, Mecca for music those days. It follows the stock tune of Begum Akhtar’s famous ghazal Deewana banana hai to deewana bana de. Zohra has made the tune faster and added some harkat to make it an excellent mujra song.

7. Chal chal re naujawan by Suresh from Bandhan (1940), lyrics Pradeep, music Ramchandra Pal

This song is well known in the voices of Leela Chitnis and Ashok Kumar, a solo by latter and a duet version by both. Who is this Suresh, a strange name singing this iconic song. It turns out, it is yet another version in the film  when Leela Chitnis’s younger brother, a child-actor Suresh sings this version in his voice. A delightful clipping of another version of this song.

https://www.youtube.com/watch?v=ABCii6rUUFs

Now, it is placed before the readers for your views on

Best male solos of 1940
Best female solos of 1940
Best duets of 1940
Best music director of 1940

Acknowledgements and Disclaimer
1. The list of Memorable Songs has been culled from Atul Song A Day after listening to them. ASAD has also listed a number of Non-film Songs in the year. All these may not be from exactly the year 1940, but near-abouts. They must have listed all these in 1940 for convenience as verification would be nearly impossible. These contain some gems which have long been my favourites. And this was the only year I could accommodate them.

2. Surjit Singh’s site
Professor Surjit Singh maintains a fabulous website for vintage songs.
http://hindi-films-songs.com/articles/1940.html
Hindi Movies / Films Songs (hindi-movies-songs.com)
Hindi Movies / Films Songs (hindi-films-songs.com)

3. Arunkumar Deshmukh has shared his notes generously.

4. Hindi Film Geet Kosh

5. YouTube

{ 10 comments… read them below or add one }

1 Arunkumar Deshmukh May 6, 2025 at 5:53 PM

AK Ji,
Thanks for a well balanced post on the songs of 1940. I find that the songs were not very melodious in this year. However there are some pearls in this too. My choice is….
Male solo..Ye kaun aaya savere savere- Pankaj malick, film Nartaki
Female solo….Vaishnav jan to ten kahiye….Amirbai karnataki, film Narsi Bhagat
Best duet…. Hum aur tum aur ye khushi….Surendra and Waheedan bai, film Alibaba
Best MD- Pankaj Mallick, film Nartaki

-AD

2 AK May 6, 2025 at 10:11 PM

Arunji,
Thanks a lot for your prompt choices.

3 Hans May 19, 2025 at 6:15 PM

AK,
You are still going backwards. This series was started by you keeping in mind viewers participation, which is not coming forth for these years. I think you may review your decision and move to more recent years.

You mentioned Aurat and Mother India. I have seen both films. In Mother India the story is wholly changed. I found a great Raj Kumari song from film Punar Milan which is not in your list. It is also a rare video link.
Sooni sejariya saiyyan tu ek beri aaja – Punarmilan – Rajkumari – Ramchandra Pal – JS Kashyap
https://www.youtube.com/watch?v=hT7avepmxpc

Here is also a link for the song by Jyoti from Pooja which is in your list.
Lat uljhi suljha ja baalam, more hathon mein mehndi lagi – Pooja – Jyoti –
Anil Biswas – Shatir Ghaznavi. This is the same Jyoti who was paired with Surendra in film Aurat. This was a fit song for the Alankar songs of the singaar type earlier posted by you.
https://www.youtube.com/watch?v=f-QwpVeUyxY

4 AK May 19, 2025 at 7:05 PM

Hans,
Now it has become a call of duty. Going backwards to the origin looks a more worthwhile exercise. Doing 1955 onwards is easier and would evoke more participation. But I don’t intend to go that route.

Thanks a lot for adding Rajkumari’s Sainya tu ek beri aa ja. I was so much smitten by Snehprabha Pradhan’s Naacho naacho pyare man ke mor that this song slipped my mind. But thanks a lot again.

5 N Venkataraman July 14, 2025 at 8:10 PM

AKji,
An after thought; regarding song #2 “Jamuna tat Shyam khelat hori, by Anil Biswas & chorus from Aurat (1940)”. Indeed a good chorus song. You wrote,
‘Sudhir Kapur on ASAD expresses doubts about the singers, and speculates the singers could be Arun Ahuja, Jyoti, Sardar Akhtar & chorus, music Anil Biswas.’

I saw the film. I feel there were four voices; Arun Ahuja (Shamu), Sardar Akhtar ( Radha), Vatsala Kumthekar (Kamala) and Harish (Bansi).
Jyoti (Jamuna) and Surendra(Ramu) appears in the second half of the film, in the song “Bol Bol Tu Bol Re Ban Ke Panchi Bol”, some time after 1 hour and 20 minutes.

6 AK July 14, 2025 at 11:05 PM

Venkataramanji,
You are right. I have been ascribing this for a long time to Anil Biswas, partly due to the attribution in HFGK, and Anil Biswas was always prone to taking credit for such songs. I realised there were four distinct voices, and felt there must be truth in what Sudhir Kapoor was saying. I had no means of confirming the names, I let it be.

7 RaunakJoy August 9, 2025 at 5:47 PM

SOY Sir,

As always, your post is meticulously researched and presented with admirable clarity.

Now, true to my habit, I will attempt a rather detailed analysis of 1940’s Hindi music in this comment. I will not be listing my ten favourite male solos for the year—you have already covered that with aplomb. Instead, I shall restrict myself to presenting what I consider the ten finest female solos and duets of 1940.

Arunji, in his comment above, observed that the songs of this year were not as melodious as those of other years. He makes a fair point. Indeed, as we journey further back in time, we notice a gradual decrease in the sheer quantity of great songs. This, in turn, underscores the glory and significance of what New Theatres—and, to a lesser extent, Bombay Talkies—did for our film music. These institutions effectively laid down the blueprint for the future of Indian cinema’s musical landscape, compelling others to break free from the confines of traditional theatrical styles and to create the timeless melodies that would follow. New Theatres, in particular, had already ensured a high standard of quality, and their immense commercial success paved the way for a rich proliferation of content in the years to come.

In 1940, however, we find ourselves in a transitional phase—a period when Anil Biswas, Gyan Dutt, and Khemchand Prakash had blossomed but had yet to reach the artistic peaks they would attain in the following years. Unsurprisingly, the musical and box-office crowns were still firmly worn by New Theatres and Bombay Talkies, as evidenced by the success of films like Zindagi, Bandhan, Nartaki, and Punar Milan. Indeed, many of the year’s finest songs emerged from these productions—some of them enduring as all-time greats in the annals of our industry.

Among female solos, my picks—listed in reverse order—are:

10.) Woh Man Nagri Mein Aayenge (Meher Sultana, Anjaam, music by Shantikumar Desai) – A song with a quiet, alluring, and hypnotic charm, enhanced by the tinkling anklet arrangements.

9.) Koi Prem Ki Beena (Khursheed, Acchut) – No “Best Music” list of any vintage year feels complete without Khursheed or Gyan Dutt. Here they collaborate again for Ranjit’s Acchut, one of the year’s biggest hits.

8.) Aankh Moond Kar Dhyan (Radharani, Nartaki) – A soulful piece beautifully rendered by Radharani in a soundtrack otherwise dominated by Pankaj Mullick’s timeless brilliance.

7.) Deep Jalale Asha Ke (Snehprabha, Punar Milan) – This film was brimming with gems in Snehprabha’s voice, and this is one of the brightest.

6.) Nacho Nacho Pyare Mann Ke Mor (Snehprabha, Punar Milan) – Could any “Best of 1940” list be complete without this Rabindrasangeet-tinged delight?

5.) Main Deepak Ki Bati (Snehprabha, Sajani) – While Punar Milan’s songs enjoyed greater popularity, I consider this Gyan Dutt composition, sung with deep feeling by Snehprabha Ji, her finest work of the year.

4.) Tu Ek Beri Aaja (Rajkumari, Punar Milan) – Endorsed above by Hans ji as one of the year’s best, and I fully agree. Rajkumari rarely disappointed, and here she shines again in this Ramchandra Pal composition.

3.) Tum Manmohan (Kanan Devi, Harjeet) – The Kanan–Boral partnership was our cinema’s first truly great female singer–male composer duo, and here they deliver their trademark brilliance once more.

2.) Jhule Jhulao Nandlala (Amirbai Karnataki, Narsi Bhagat) – Perhaps not as widely popular as some of the year’s other hits, yet this Shankerrao Vyas composition, rendered with devotion by Amirbai, is a true gem.

1.) Na Tum Mere (Kamala Jharia) – Before New Theatres captured the nation’s musical imagination, the Teen Deviyan—Angurbala, Indubala, and Kamala Jharia—reigned supreme in India’s music world. By 1940, their dominance had faded, yet this rendition by Kamala Ji proves the timeless adage: “Form is temporary, class is permanent.” Composed by Tulsi Lahiri (Kamala Jharia’s husband) and penned by Faiyaz Hashmi, this remains, in my view, the finest female solo of the year.

Special Mention: Jyoti for her two songs in Anilda’s Pooja- Lat Uljhi but more so Mori Bagiya.

8 RaunakJoy August 9, 2025 at 7:00 PM

As far as the duets of this year are concerned, I believe some of the finest songs of the year were indeed duets. In fact, more than male or female solos, this could well be described as the year of duets. Remarkably, two of them—the first two in the list below—can, and indeed should, be counted among the ten greatest duets ever composed in our films, given their sheer class and enduring impact.

The ten best duets of 1940, in my opinion (this time in order), are:

1. Mast Pawan Shaken (Haarjeet) – On sheer melody, intricate complexity, song structure, ambience creation, orchestral brilliance, and overall sound, this song has few parallels even today. A masterpiece on all counts, it directly influenced many a maestro—from O.P. Nayyar to Roshan.
2. Hum Aur Tum Aur Ye Khushi (Alibaba) – Another all-time great: inventive, pioneering, and timeless, retaining its freshness and charm even after all these years.
3. Aaya Re Pardesi Sajanwa (Punarmilan) – A lilting, folksy, and danceable number, brought alive by the ever-dependable Rajkumari and the charming, slightly gruff vocals of composer Ramchandra Pal himself.
4. Phagun Rut Aai (Holi) – Khemchand Prakash’s first hit. And what a beautiful debut success it was—filled with seasonal joy and lyrical grace.
5. Vaishnav Jan To (Narsi Bhagat) – While Amirbai later recorded a solo version, in the film the song begins with Vishnupant Pagnis singing in his inimitably sweet voice before Amirbai takes over. It’s only two lines from him, but their impact is so strong that it’s impossible not to treat this as a duet.
6. Chal Chal Re Naujavaan (Bandhan) – This Ramchandra Pal composition was arguably the most popular song of the year. Its eternal, childlike innocence explains its enduring appeal.
7. Piyoji Aan Milo (Musafir) – A Khursheed-led duet composed by Gyan Dutt. Its lively energy and Bengali folk touches ensure it tugs at the listener’s heart in the most endearing manner.
8. Tum Rooth Gayi Pyari Sajaniya (Aurat) – Anil Biswas’s score for the original Mother India relied heavily on rustic charm, much of it carried by Surendra duets. This is possibly the best of them, though Bol Ban Ke Panchi and Uth Sajni Khol Kiwade are equally delightful.
9. Teri Ankhon Ne Kiya Bimar Haye (Alibaba) – While Hum Aur Tum Aur Ye Khushi is the unquestionable masterpiece, the other three Surendra–Wahidan Bai duets from the film are also highly innovative and appealing. Dil Chhen Ke Jata Hai, Dil Ka Saaz Bajaye Jaa, and this number all impress—despite Wahidan Bai’s vocal hoarseness, which may not appeal to all ears today.
10. Brij Ke Rajan Manmohan (Aandhi) – Pankaj Mullick was the star of this K.C. Dey-composed album, lending his voice to most of its songs. This duet with Radharani is especially pleasant, with an enchanting prelude that almost sounds Naushadian. A fine composition by Keshtoda.

9 RaunakJoy August 9, 2025 at 7:01 PM

Having gone through the solos and duets of the year, my overall choices are as follows-
1.) Male song of the year: Yeh Raatein Ye Mausam Ye Hasna Hasana
2.) Male singer of the year: Pankaj Mullick
3.) Female song of the year: Na Tum Mere Ho by Kamala Jharia
4.) Female singer of the year: Snehprabha Pradhan for her overall performance in Ramchandra Pal’s Punarmilan & Gyan Dutt’s Sajani.
5.) Duet of the year: Mast Pawan Shakhen from RC Boral’s HaarJeet
6.) Musician of the year: Pankaj Mullick for his all round brilliance as both a composer and a singer of rare merit.

Overall, Best albums of 1940 (in order) – 1.) Pankaj Mullick for Nartaki
2.) Ramchandra Pal for Punarmilan
3.) Shankarrao Vyas for Narsi Bhagat
4.) Anil Biswas for Aurat
5.) Pankaj Mullick for Zindagi

Composer of the year: Pankaj Mullick

It is pertinent to note that many albums of 1940 aren’t available in their entirety. If that wasn’t the case, the likes of RC Boral’s Haar Jeet and Anil Biswas’ Alibaba might have easily found a place in the top 5, given the quality of the songs that remain available today from these films!

10 AK August 9, 2025 at 10:55 PM

Raunak Joy @7,
Though late, but your detailed comments are always a pleasure.

Coming to specific songs:
Koi bajaao na prem ki veena by Khursheed. You are right about your high opinion of hr. I share your views. In my Wrap Up 2 about solos I find I have included this song at #6.

Main depak ki baati: I heard it, a beautiful song, not sure I would put it above Naacho naacho payare ma ke mor in spite of your strong advocacy.

@8,
I am yet to write on the Wrap Up 3 about duets, so I hold my comments for the time being, except that some songs seem to be obvious choices. About Vaishnav jan to tene kahiye, it seems the commercial record was cut as a solo in Amirbai Karnataki’s voice, that has figure in Wrap Up 2 of best female solos which was posted today morning.

@9,
Thanks a lot for your comments.

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