Best songs of Asha Bhosle by RD Burman

8 September 2025

Wishing Asha Bhosle a very Happy 92nd Birth Anniversary (b. 8 September 1933- ) with her best songs by RD Burman

At the beginning of blogging, I remember, I made a comment, talking about the blog that, On this blog you would not find best songs of Asha Bhosle by RD Burman. Today I can say, that was a flippant and immature comment. Not because circumstances have made me celebrate this year as the year of RD Burman, but also because I have come across some songs of the combination which I can easily put among her best by any music director.

Born on 8th September 1933 to the legendary Dinanath Mangeshkar, the death of the patriarch in 1943, brought the family of a widow and 4 daughters and a brother Hridaynath Mangeshkar on the verge of penury. The responsibility for taking care of the family fell on the eldest sibling, Lata Mangeshkar. A kind-hearted friend of the family, Master Vinayak (father of Nanda), helped her get singing roles in Marathi Dance-Drama and films. He later set her up in Bombay film world, where starting as a bit actor-singer, within a short span of time Lata Mangeshkar stormed the scene as a Tsunami and swept away all the established singers of the era and emerge as the voice for heroines.

In this scenario, Asha Bhosle had a Lata Mangeshkar-complex, all the doyens were creating their best for the Didi, until some favourable circumstances helped her in getting some superb songs. Some music directors accentuated her different tonal quality. Finally she came into her own. Asha Bhosle was the first choice of some music directors, like Ravi and N Datta. SD Burman composed some excellent songs for her during the period of hiatus with Lata Mangeshkar. OP Nayyar is one music director who held his own without ever working with Lata Mangeshkar. His first female singer of choice and his muse was, Asha Bhosle, and he took upon himself to mentor her as a lead singer in her own right. Jaidev composed some great songs for her. Umrao Jaan’s songs by Khayyam in Asha Bhosle’s voice have left an indelible imprint, and has outdone all the courtesan songs.

RD Burman is an important link in the long list of Asha Bhosle admirers. Both were impulsive persons. Their professional togetherness led to their marriage. Asha Bhosle had made some terrible judgements in marriage, relationships, and personal affairs. Our first reaction was it was a bemel marriage – she was 6 years older to him and she had grown up children from her first marriage. RD Burman also passed away early at the age of 55 years, setting off some unflattering gossip. Besides, she suffered some enormous personal tragedies. The fate has been unusually harsh on her, but that did not deter her from her musical pursuits. She has by far sung the most songs, and has recorded more songs in all the languages and all the genres of all the singers, in the world – as per the information available in public domain. She has received numerous accolades: the civilian honour, Padma Vibhushan; Dadasaheb Phalke Award; Grammy nomination. She has aged gracefully. She retained the timbre in her voice, till well into her late 80s.

We are celebrating this year as the Year of RD Burman. Continuing the series of tributes to him I post his best songs for Asha Bhosle as my greetings to her on her 92nd birth anniversary. The first two songs, though from the 1980s have been my top favourites, and these are the songs which have held me in thrall and made me look at RD Burman with some  respect. The remaining songs are in chronological order, bringing up to the 80s to show how this combination has evolved.

1. Khaali hath sham aayi hai, khaali hath jayegi by Asha Bhosle from Ijaazat (1987), lyrics Gulzar, music RD Burman

Late 80s we thought was the end of melody and decline of RD Burman. Then comes Ijaazat, adapted from the Bengali film Jatugrih based on strains in marital relationship because of the other woman. By that time Rekha had grow into a mature and sensitive actress. Here is beautiful song picturised on a forlorn wife lamenting her emptiness.

Searching for songs of this combination gave me a bonus when I stumbled upon a short video, perhaps a music rehearsal session which has RD Burman humming this song in the beginning, followed by Asha Bhosle’s song we know. RD Burman. RD Burman’s singing this song is very melodious forcing us to realise that there was a softer side to him. Now if someone says he has sung some songs in Bengali which are absolutely melodious, I trust him. Let us see if some Bengali-knowing gentleman gives us a glimpse of RD Burman’s music in Bengali.

https://www.youtube.com/watch?v=IrYCsbQcpEQ&list=PLB5tyxWi-IJuhcpX5p0oBAf45XbBGCODu&index=4

2. Phir se aiyo badra bidesi tere pankhon par moti jharun by Asha Bhosle from Namkeen (1982), lyrics Gulzar, music RD Burman

This sensitive film based on the story by Samresh Basu was also directed by Gulzar. Besides being the lyricist he also wrote the screenplay of the film. This was a sad tale of mother and her three unmarried daughters living in a remote village in Himachal Pradesh. The mother was a former dancer in nautanki, but wants to be away from it to give her daughters some respectability. The wait becomes unending. The clouds and Raag Desh have a natural pathos. One of the best in this genre. This song of Saawan, and interminable wait, to my mind, elevates it to the level of SD Burman-Asha Bhosle’s Ab ke baras bhej bhaiya ko babul saawan mein deejo bulaye re.

3. Dum maro dum mit jaayein gham, bolo subah shaam Hare Krishna Hare Ram by Asha Bhosle & chorus from Hare Rama Hare Krishna (1971), lyrics Anand Bakhshi, music RD Burman

How do the foregoing two songs compare with the early songs of this combination? This was a chartbuster and set RD Burman on the path of unparalleled domination of the 70s.

4. Aaj ki raat koi aane ko hai re baba by Asha Bhosle from Anamika (1973), lyrics Majrooh Sultanpuri, music RD Burman

RD Burman maintains the dividing line: Heroine songs (Baahon mein chale aao humse sanam kya parda) for Lata Mangeshkar, but raunchy songs for Helen in the voice of Asha Bhosle.

https://www.youtube.com/watch?v=6J5nHIAUVpE&list=RD6J5nHIAUVpE&start_radio=1

5. Sooni re sejariya saajan bin tere by Asha Bhosle and Usha Mangeshkar from Namak Haram (1973), lyrics Anand Bakhshi, music RD Burman

RD Burman continues with the established trope of Hindi films. Here is a nice song picturised on two courtesan dancers in mujra style sung by Asha Bhosle and Usha Mangeshkar, one of the dancers is Jayshree.

https://www.youtube.com/watch?v=JFvZeTw1tss&list=RDJFvZeTw1tss&start_radio=1

6. Babuji mujhe maaf kar do, zara sa insaf kar do by Asha Bhosle from Imaan (1974), lyrics Anand Bakhshi, music RD Burman

This song is picturised on Leena Chandravarkar, the heroine of the movie, who does a raunchy act. RD Burman still seems to be tentative about himself and about Asha Bhosle.

https://www.youtube.com/watch?v=U_hLFUhzTnE&list=RDU_hLFUhzTnE&start_radio=1

7. Chori chori solah singaar karungi by Asha Bhosle from Manoranjan (1974), lyrics Anand Bakhshi, music RD Burman

I like the tune of the song, never mind the picturisation. Full credit to Zeenat Aman to act in this remake of Irma La Douce, starring Jack Lemon and Shirley MacLaine. The story was about a street worker who had to solicit customers in a provocative dress, and a bumbling constable.

RD Burman is back to using Asha Bhosle for the second or third woman in the next two songs.

8. Koi mar jaaye kisi ne yahan kya dekha hai by Asha Bhosle from Deewaar (1975), lyrics Sahir Ludhianvi, music RD Burman

Deewaar became a cult film because of Salim-Javed’s story, script and dialogues, and Amitabh Bachchan who consolidated his character as an Angry Young Man. Women and songs had no place actually in the film, but we find this Asha Bhosle solo on the third woman Aruna Irani, who performs it as a mujra in qawwali style.

https://www.youtube.com/watch?v=35G0r6PdaOw&list=RD35G0r6PdaOw&start_radio=1

9. Bechara dil kya kare by Asha Bhosle from Khushboo (1975), lyrics Gulzar, music RD Burman

This movie was based on a story by Sharat Chandra Chatterjee, also directed by Gulzar. A sensitive film starring Jeetendra, Hema Malini and Farida Jalal, this song is somewhat peppy, and I would call it a middling song in the evolution of RD Burman-Asha Bhosle.

https://www.youtube.com/watch?v=j4uVGUxvi14&list=RDj4uVGUxvi14&start_radio=1

10. Tum kitney din baad miley by Asha Bhosle from The Great Gambler (1979), lyrics Anand Bakshshi, music RD Burman

This seems to be an ambiguous song. Amitabh Bachchan walks in the club with Neetu Singh. The club singer-dancer pulls Amitabh Bachchan away from Neetu Singh and sings the complaining song where he had been all this while. Neetu Singh is bewildered at this bold act by Zeenat Aman.

https://www.youtube.com/watch?v=PkmBNuQNnxE&list=RDPkmBNuQNnxE&start_radio=1

11. Piya bawri by Asha Bhosle (and Ashok Kumar) from Khubsoorat (1980), lyrics Gulzar, music RD Burman

In this Hrishikesh Mukherjee film, Rekha comes as a guest for a short stay in this family of stifled discipline imposed by the matriarch of the family, Deena Pathak. Her hen-pecked husband, Ashok Kumar and bahu Shashikala, in a surprisingly decent role, have to suppress their tabla playing skill and dancing talent respecively. The film was entirely carried on the shoulders of the chirpy girl Rekha who gradually chips at the stifling rules, and makes them break free when the lady of the house is away, She eggs them on to showcase their talents on the terrace when Ashok Kumar plays the tabla and Sashikala dances kathak. Asha Bhosle is the lead singer in the movie.

12. Pyar karnewaale pyar karte hain shaan se by Asha Bhosle from Shaan (1980), lyrics Anand Bakshi, music RD Burman

In this multi-starrer it is difficult to say who was the principal heroine or if there was one at all. The principal actors Amitabh Bachchan, Shammi Kapoor, Bindiya Goswami and Parvin Babi were all lovable crooks. This song is pitcurised in a club on Parveen Babi where the main objective is to steal the diamond necklace of a maharani. This caper brings all the four together to commit larceny as a team. This is an unabashed solo by Asha Bhosle.

From this point I would move to the two songs of the 1980s I posted in the beginning. This completes the circle, and I leave conclusion to the erudite readers. The starting point could be Hans Jakhar’s statistics that RDB composed 341 songs for Lata Mangeshkar, and 513 songs for Asha Bhosle, but most of the memorable solos he gave to Lata Mangeshkar.

Acknowledgement and Disclaimer
The song links from the YouTube have been given or embedded only for the listening pleasure of the music lovers. This blog has no commercial interest and makes or suggests no claim of copyright, whether directly or indirectly, over these songs, which vests with the respective rights holders.

{ 39 comments… read them below or add one }

1 BALASUBRAMANYAM September 8, 2025 at 12:21 PM

As rightly said Asha Bhosle was the first choice of several composers such as N Dutta , Ravi , OP Nayyar and RD was also one of them and he used her voice from the seventies onwards. Incidentally , most of his songs during his early days were by Lata Mangeshkar in films like Pati Patni, Chandan Ka Palna and Abhilasha to name a few.

2 AK September 8, 2025 at 12:25 PM

Mr Balasubramanyam,
Thanks a lot for endorsing my views.

3 Ashok M Vaishnav September 8, 2025 at 4:04 PM

Asha – RD combination is very well presented here by a good collection of their songs of all representative moods.

An article on Lata – RD combination should also be quite an interesting one, since RD has done some very good scores with Lata Mangeshkar as well.

4 AK September 8, 2025 at 4:22 PM

Ashok ji,
Thanks a lot for your appreciation.

5 Dr Pradeep K Shetty September 8, 2025 at 6:12 PM

TEESRI MANZIL.
O mere Sona re….
Rafi.

CARAVAN.
Daiya ye main kahan fasi….

YADON KI BARAAT.
Chura liya hai tumne jo dil ko…
Rafi.

THE TRAIN.
Chainya re chainya re…

KHEL KHEL MEIN.
Sapna mera toot gaya…
RDB.

THE GREAT GAMBLER.
Do lafzon ki hai dil ki kahani…
( Sharad Kumar )

MANZIL.
Man mera chahe bindiya laga loon…

HKKN.
Ye ladka haye Allah…
Rafi.

ZKDH.
Bolo bolo kuch toh bolo…
Rafi.

RATNADEEP.
Kabhi sapna lagta hai..
Amit Kumar.

PADOSAN.
Main chali main chali..
Lata.

Man mera chahe bindiya…

6 AK September 8, 2025 at 8:19 PM

Dr Shetty,
Nice instant recall. I am happy that many in your list figure in my post.

7 Rahul Bhagwanrao Muli September 8, 2025 at 11:08 PM

AK ji
The article on RDB – Asha pair is a very apt tribute to RDB on Asha’ s birthday. This is because one cannot wish away ‘net’ contribution of one of them in professional high and lows of the other.
The songs selected by you highlights this contribution.
I will add the following songs
1 Mar dalega darde jigar – Pati patni – AB
https://youtu.be/kOSzjSTjNXg?si=kwxjU-SQU-NblMWx
This song was virtually unknown before so called RDB hype began in the internet era.
Coming before Teesri Manzil this song shows the shape of things (or tunes) to come thereafter.
2 Jab tak rahe tan me jiya – Samadhi – Majrooh
https://youtu.be/F3pqRMJobto?si=lvovcoVGDgNPh4PE
This was totally eclipsed by Bangle ke Peeche.
3 Gumsum kyu hai sanam- Bhala Manus/ Kasame Vaade- Gulshan Bawara
https://youtu.be/W29sLG5YEEU?si=oVmZ8ozhzmmhYh_V
This has the unique distinction of being on LP records of one movie and included on screen for another.
4 Pyar ke mod par – Parinda – Khursheed Hallauri
https://youtu.be/WRPUG-wFWXI?si=Jtoh_t8jKR-ELZFh bragging about how he resurrected RDB through 1942, Vidhu Vinod conveniently forgets about RDB score in Parinda
And as one cannot fully explain personal choices this is up there in my favorites of RDB-Asha

8 AK September 9, 2025 at 8:05 AM

Mr Muli,
Thanks a lot for your very apt analysis. On RD Burman, you can call me a कूपमण्डूक. So whether there was an RD Burman hype or not, I was unaware or didn’t care. I can see your point about these songs. These songs were new to me, even the one from Parinda film which I liked a lot, but didn’t remember this song. One song from this film that stayed with me was, Tumse mil ke aisa laga.

You make a nice point about RD Burman’s decline and resurrection with 1942 A Love Story. Any artist’s career follows occasional peaks and troughs (one exception could be Naushad). So was it with RD Burman too. I would put Ijaazat and Libaas too up there.

9 Pushpendra Kumar September 9, 2025 at 8:24 AM

Great article sir.

Just one small correction, the age gap between Asha and Pancham was 6 years and not 16 years

10 AK September 9, 2025 at 12:53 PM

Pushpendra Kumar,
Thanks for the correction, since carried out. Very stupid of me to commit this slip.

11 Dr Pradeep K Shetty September 9, 2025 at 7:57 PM

While speaking about ANAMIKA, I always make a point.
KK , Lata songs… Title song, Bahon mein chale aao…are the most popular. But, Asha has 3 good songs in 3 different moods.

Aaj ki raat….in the list already. Typical RDB_ AB song.

Logo na maro isse…. playful.

Jaoon toh kahan jaoon…अबला नारी!!!

12 AK September 10, 2025 at 5:58 AM

Dr Shetty,
Nice contrast you have pointed out between the two sisters.

13 Dr Pradeep K Shetty September 10, 2025 at 8:04 PM

MERE JEEVAN SATHI, 1972.

Superb KK solos and a good KK_ LM duet.
A beautiful Asha song:
Aao na, gale lagao na…

SEETA AUR GEETA, 1972.

Nice duets:
Hawa ke saath saath…KK
Zindagi hai khel…..MD

14 Dr Pradeep K Shetty September 10, 2025 at 9:02 PM

JAWANI,1984.

Tu ruta toh main ro doongi Sanam…
Amit Kumar.

Very cute song.
Asha does sound apt for a 15 year old Neelam.

15 Dr Pradeep K Shetty September 10, 2025 at 9:54 PM

KATI PATANG.

KK,LM , Mukesh beauties. Still, Asha , too, shined.
With RDB.
Mera naam hai Shabnam…

Hardly any lyrics.
Meena Anju Manju..?
Yaa…
Madhu?

16 AK September 10, 2025 at 10:01 PM

Dr Shetty,
How about Eena Meena Dika?
Did Kajara mohabbawala have Meena Baazar?

PS: Now I remember the lines:

चढ़ती जवानी की ये पहली बहार ले के
दिल्ली शहर का ये सारा मीना बाज़ार ले के

17 Rahul Bhagwanrao Muli September 10, 2025 at 10:24 PM

AK ji
Your article focuses only on Asha solos. But Dr Pradeep ji has posted duets also and that opens the door for us to post more duets.
But first a solo
Do din ki hai ye zindgani – Chala Murari Hero Banane – Yogesh
https://youtu.be/4VV-rF_Scrk?si=qXYthLm4H_inX6i-
Asrani was the director and hero of this flop film. There was a melancholic song Na jane din kaise by KK.
This solo of Asha is not extraordinary but it is unusual.
The mukhada is Baap ka maal ( expression used by RDB himself) Chanda ki Chandni ka Jadu from Sitaro se aage. There is an unmistakable OPN stamp on antaras ( perhaps antaras of Ye hai reshami zulfon ka).
And now the duets
1 Mausam pyar ka – Sitamgar- Majrooh – Asha with KK
https://youtu.be/qJq684EnbMQ?si=7bWFrJ-bP2OQmqTn
Despite being a star studded film almost nobody took its notice.
But this is a melodious song where RDB used change in scale ( la Mai chali main chali)
2 Dekho ye kaun aaya- Saverewali gaadi – Majrooh – Asha with Suresh Wadkar
https://youtu.be/Wq8_iLml6ag?si=TKuCZbfQLVxaj3n2
Another obscure film
But it is worth listening as a soft melody.
These two duets are from the very lean period of RDB and yet they stand out amongst the contemporary songs.

18 AK September 11, 2025 at 7:39 AM

Mr Muli,
Thanks a lot for your detailed comments. Excellent recall. MF duets I count in male songs. It helps me in mapping. That leaves only FF duets. I now realise it is not very scientific, apart from gender bias. One should distinguish between MF and FM duets. Who starts the duet leaves an impact.

19 Dr Pradeep K Shetty September 11, 2025 at 10:07 AM

Rahul Muli ji,

During first year MBBS in Mysore, I saw countless new releases and reruns.
CMHB was a fairly well made movie. Good music. KK was , yes, very soulful in Na jane din kaise…
Asha sang 2 more nice songs…
1. Paas aao na…
On a sophisticated Simi Grewal.
2. Khoye ho akhir kis bekhudi mein..
On Bindiya Goswami.

I also like the LM song picturised on Hema Malini.
Teri kathputli hoon….

For Asrani’s directorial debut
SALAM MEMSAAB
also, RDB gave music.
There are 2 above average AB songs.

SAWEREWALI GAADI was a remake of Tamil movie
KIZHAKKE POGUM RAIL, 1978.
Bharathi Raja directed both these.
Ilayaraja gave good music.
For the Telugu remake , SPB scored the music.

20 Hans September 14, 2025 at 10:56 PM

AK,
Nice collection of the songs of this combo. You know I am a big fan of Asha. RDB might have given her so many songs but the best he reserved for Lata. It is better Lata’s birthday comes later. If her songs had come earlier then Asha’s list would have appeared a pygmy before it.

The figures I gave were 321 for Lata and 513 for Asha till 1985. About song no. 4 you have said Lata sang for the heroine and Asha for others. Actually the song ‘bahon mein chale aao’ was in Asha idiom and no less raunchy. Asha sang two other songs in the film Anamika for Jaya Bhaduri and both were sober songs. I give here ‘jaun to kahan jaun’.
https://www.youtube.com/watch?v=y7qlJCozfWQ

In the same year as Anamika there was a film Jheel Ke Us Paar in which Lata sang all songs for the heroine Mumtaz and Asha was given one filmed on Yogita Bali ‘haye bichhua das gayo re’. Lata might have sung ‘bahon mein chale aao’ quite sensuously, but here Asha shows why she is the queen of such songs.
https://www.youtube.com/watch?v=kJnLfT3nZ7w

In Sunny 1984, Lata got two versions of ‘jane kya baat hai’ which she sung beautifully and also two duets. Asha was given only one, the ghazal ‘aur kya ahde wafa hote hain’ and she outshone Lata with just this one.
https://www.youtube.com/watch?v=ZJtNPInpJI4

Asha’s modulations are well known. Even in the beginning of her career she modulated for children in Boot Polish and Jagriti. In Do Phool she modulated her voice to match South Indian style for the South heroine paired with Mehmood. The song is the famous ‘muthu kodi kawadi hada’ she sung with Mehmood.
https://www.youtube.com/watch?v=VWt9njK6u-o

21 Deepak Verma September 14, 2025 at 11:49 PM

I got an opportunity to watch an Asha Bhonsle show at NCPA , Mumbai, in 2010. She was in her late seventies then. Apart from her iconic songs she sang , the electric energy with which she performed on the stage in introducing her crew , members of the orchestra, other singers, narrating the anecdotes behind the songs etc. was fantastic. It was a lifetime experience!

We all know about her film songs , particularly those in collaboration with RD and Gulzar. I , however, find some of her songs( film/ NFS) under the direction of Jaidev are superb and and bring out her best . Some that I can immediately recall are :
Tumul kolahal kalah mein …. ( a beautiful poem by Jaishankar Prasad)
Kono thagva nagaria lootal ho… ( a Kabir bhajan later featured in the film Ankahee)
Jahan mein aisa kaun hain… / abhi na jao chhod kar( duet) – Hum Dono.
I also love Geet kitne ga chuki hoon is sukhi jag ke liye … ( written by Bharat Vyas. I don’t know who has composed the song !)

22 Rahul Bhagwanrao Muli September 15, 2025 at 12:06 PM

Dr Pradeepji
I also recall watching CHMB on its first day of release sweating under the tin roof of a dinghy theatre.
As it was a story of travails of a village boy coming to become a hero, there were a number of special appearances. I recall a scene where Rishi Kapoor comes for shooting and is gheraoed by college girls. There was a medley of songs ( like Chashme badoor) where Asrani features with different heroines. I still recall Asrani and Leena Chadavarkar enacting “do sitaron ka jami par”.
And here is one more decent song from long forgotten film Mazaaq
Takara gaye do badal – Yogesh https://youtu.be/HYFHDWVbXzE?si=if8JcagRS6AyFwYM

23 Sivanandam September 15, 2025 at 5:08 PM

Hans Ji
Your mention of Muthu Kulikka vareegala ( this is the right spelling -Youtube links distort this into some gibberish!!) reminded me of the original composed by MS Vishwanathan-a genius composer from Tamil films who never got any recognition from the government despite many singers like P Susheela , Vani Jayaram getting their National award for best playback singer in his compositions. Not even a Padma Shri!! For a glorious career from the early 50’s till well on to 2000 and he stood strong like a rock despite the Ilayaraja tsunami in 1975. Known for excellent melodious tunes and innovative orchestration, he started off with a partner T K Ramamoorthy and styled themselves Vishwanathan-Ramamoorthy -the first duo in Tamil films. Ask any old Tamil film song lover-they will consider this duo as the greatest ever !
The original Tamil line Muthu Kulikka Vareegala means ” will you come for diving to finding pearl”-Muthu means pearl
https://www.youtube.com/watch?v=2pbRGXae7W4&list=RD2pbRGXae7W4&start_radio=1
The Tamil original was sung by the veteran T M Soundararajan( who was one more total neglect by mainstream awards) and L R Eashwari.
L R Eashwari can be called as the Tamil equivalent of Asha as she sang most the dance/cabaret numbers with P Susheela being the Lata of South -singing mainly for the heroines and of course she was as melodious and talented as Lata – we controversially may say even better!!
Here is one more example of L R Eashwari rendering her career best- in the Tamil version of Dharti ( Sivanda Mann) -this song is iconic and one can never understand why Shankar-Jaikishan made Lata sing ” Ishq Ki Mein Beemar ” that pales into insignificance . Should have given it to Asha!
Even if one doesn’t understand the language , just observe her reaction after the ‘ whip lashes’ in the song…this is also composed by MSV as M S Vishwanathan was always called affectionately..
https://www.youtube.com/watch?v=Fx_wjxuxe08&list=RDFx_wjxuxe08&start_radio=1

24 AK September 15, 2025 at 5:58 PM

Hans @20,
Thanks a lot for your comments. About Asha Bhosle-Lata Mangeshkar comparison for RD Burman, I do remember your statistics and the quality difference. It is only when I started browsing through the songs, that I noticed the counter-intuitive feature that he appeared to be partial to Lata Mangeshkar than Asha Bhosle.

I remember a friend made an interesting observation. He gav some examples of N Datta that he gave soulful ghazals to Asha Bhosle, and mujra songs to Lata Mangeshkar.

25 AK September 15, 2025 at 6:02 PM

Deepak Verma @21,
A very interesting feature of Asha Bhosle was that she retained her tonal quality and timbre till well into her 80s. Along with that she also had a lot of enthusiasm for stage performances and trying various forms of music with foreign artists.

I like her NFSs Geet kitne ga chuki hun and Tumul kolahal kalah mein a lot.

26 RSR September 16, 2025 at 12:55 PM

How are you Sir?
Nice post Sir. I used to hear this song in 1962 I am 83 now
.More interestingly, my uncle 40 years senior to me, a carnatic music fan,,would light up whenever we heard this song.
The thing is..neither of us knew Hindi.!
The lyrics are nice indeed…i got translation thanks to google translate.
..AANKHON MEIN KYA JEE –
ASHA BHOSLE – KISHORE KUMAR – MAJROOH – SD BURMAN ( NAU DO GYARAH 1957
Actors Dev Anand and his wife
Kalpana Karthik
https://youtu.be/f5DG-I71hB8?si=qpLbQrUOXDnigRsO.
..

27 RSR September 16, 2025 at 1:05 PM

The above post for Asha. The music composer however is SD BURMAN

28 AK September 16, 2025 at 3:21 PM

RSR @26, 27,
Thanks a lot. Your age puts you in Special Senior Group. I am grateful for your dropping in.

Aankhon mein kya ji is everyone’s favourite. I am happy to know that you have been able to get its translation and enjoy it more.

29 Dr Pradeep K Shetty September 16, 2025 at 4:03 PM

Sivanandam ji,

MSV has scored music for many Telugu and Malayalam movies, too. For 12 Kannada movies ( 1957 to 1993 ).

LRI was a prolific singer in Kannada, too. Though primarily suited for cabaret/ club dance/ seductive songs, she did justice to many romantic/ devotional/ folk songs. Even a few lullabies, children’s songs and pathos songs. Very versatile. Has sung in a few Konkani n Tulu movies, too.
Of course, you are familiar with her Amman songs n Christmas songs.

A small grouse. Of course, each one to his own! I consider S Janaki as the most versatile South Indian singer and P Susheela, in my opinion, comes second. SJ’s variety is unmatched.

30 Sivanandam September 16, 2025 at 5:07 PM

Dr Shetty #29
Yes- Basically MSV hailed from Kerala and composed in other south indian languages also but he was numero uno in Tamil films. It is said that after listening to his songs in Paalum Pazhamum , Naushad had mentioned that for Sathi also MSV should compose as he felt he would not be able to do justice –due to language contraint, MSV refused. Both were great mutual admirers. One of these days, if AK ji permits, I can write about some the songs that were composed by MSV vis-a-vis the same songs in Hindi versions..not same tunes but only those for the equivalent films and situations ( i am aware already this blog had lot of articles on this theme , but maybe I can try a different perspective)..Sorry AK Ji for barging in like this…
As far as your liking for S Janaki, yes -she was truly versatile . Like Kishore Kumar, she had a long innings in Tamil films playing second or third fiddle till 1975, when Ilayaraja stormed in and completely turned the tables -SJ ruled Tamil films for 2-3 decades after that..
However my personal choice is P Susheela -mainly for her divine renditions and crystal clear pronounciation. SJ has a slight issue in not being very clear in the words at times and also at the high octaves , becomes too shrill…Just listen to the Tamil version of Hum Tere Pyar Mein Sara aalam ( Dil Ek Mandir)- Sonnathu Neethana in Nenjil Or Aalayam..sung by Susheela pure bliss!
Anyhow I am seriously diverting this thread to something that may not be interest to many….Sorry for getting carried away!!
As a penalty I am posting a link to Asha’s first Tamil song that became a super hit ..to be relevant to this thread at least 50% !! Composed by Ilayaraja
https://www.youtube.com/watch?v=5h7-Z7H4T7s&list=RD5h7-Z7H4T7s&start_radio=1

31 Dr Pradeep K Shetty September 16, 2025 at 5:56 PM

Sivanandam ji,
Before SATHI came the Kannada remake of PALUM PAZHAMUM….BERETHA JEEVA ( ಬೆರೆತ ಜೀವ ) starring B Saroja Devi again with Kalyan Kumar ( of Nenjil Oru Alayam fame ). Produced n directed by KuRaSee, it had beautiful music by Vijay Bhaskar…PBS, PS.

32 Dr Pradeep K Shetty September 16, 2025 at 6:02 PM

PS , Ilayaraja brings to the memory SADMA Silk Smita dance number…
O Babua, ye Mahua…
( Ponmeni Uruguthe of MOONDRAM PIRAI.
SJ, Ilayaraja. )

33 BALASUBRAMANYAM September 17, 2025 at 6:48 PM

Incidentally , after the fifties it was Asha Bhosle, Mahendra Kapoor and Mannadey were the choices for almost every song composed by C Ramachandra almost till the end of his career in the early seventies !

34 Anu Warrier September 18, 2025 at 12:13 AM

I have missed many of your posts, AK, due to unavoidable circumstances, and I’m just catching up. This is a lovely celebration of Asha’s collaboration with RD.
I would like to add a personal favourite: Daiyya main ye kahaan aa phansi from Caravan. Asha had once remarked that this was one of the most difficult songs in her career; her vocal calisthenics is in this song is simply outstanding.

Chura liya hai tumne mere dil ko from Yaadon ki Baraat
Of course, Piya tu ab to aaja is immortal.

I also quite like Jaana O meri jaana from Sanam Teri Kasam.

My favourite Asha-Kishore duet composed by RD is Jane jaa dhoondtha phir raha from Jawani Diwani.

35 AK September 18, 2025 at 8:30 PM

Anu,
Welcome back to SOY. Thanks a lot for your kind words. Except the songs from Yaadon Ki Baraat, other songs are remarkable for their picturisation. After surveying the songs of the two famous Mangeshkar-sisters, I find, contrary to what I had presumed, RD Burman gave his best songs for Lata.

36 Dr. Rajesh Deshpande September 27, 2025 at 10:55 PM

AKji,
Coming quite late here…had missed out due to a hectic schedule.
A nice celebration of Asha Bhosle’s birthday, complementing the ongoing series of tributes to RD Burman.
This is an interesting list of the duo’s songs, with a mix of variety, genres and different levels of popularity.

RDB may have composed his best songs for Lata but he gave Asha all types of songs, of all genres. He took advantage of Asha’s phenomenal range, versatility and ability of voice modulation, using her for his experiments, innovations and improvisations. And Asha never let him down, she gave full justice to every number.
Asha was the only singer in Ijaazat and as per me, every song is a gem.
Mera kuchh samaan is of course, the most well-known.
I am posting the remaining two, both highlight Asha’s prowess at voice modulation and rendition
Katra Katra milti hai
https://www.youtube.com/watch?v=PZzK3CVzLKo&list=RDPZzK3CVzLKo

Chhoti si kahani se barishon ke paani se
https://www.youtube.com/watch?v=4GWmE0VbNbk&list=RD4GWmE0VbNbk

And this song from Namkeen, an excellent innovative number from Asha-Gulzar-RDB
Aanki chali banki chali
https://www.youtube.com/watch?v=slveXAZ4Jzc&list=RDslveXAZ4Jzc

37 Dr. Rajesh Deshpande September 27, 2025 at 11:06 PM

Khubsoorat (1980) has an unusual score by RDB, ably supported by witty and whacky lyrics by Gulzar.
Sun sun sun didi tere liye is one of my favourite Asha songs of the 80s.
Asha’s vocal expressions more than complement Rekha’s wonderful performance and both create magic.
A naughty mischievous song, it has lines in dialogue and some excellent sound expressions.
https://www.youtube.com/watch?v=ZhbCciTUIIU&list=RDZhbCciTUIIU

38 Dr. Rajesh Deshpande September 27, 2025 at 11:50 PM

As you have also mentioned, Asha Bhosle managed to retain the tonal quality and timbre in her voice right up to the 1990s and 2000s.
And unlike her sister, her voice did not sound odd or old on heroines in their 20s. But she her career graph went down gradually with the advent of the 90s.
She did sing few songs for A R Rahman, Nadeem Shravan, Jatin Lalit and others and some songs were hits too, but overall, she was sidelined, The 90s composers and music companies preferred younger voices, bypassing her.
Asha was the female voice in the two 1993 films- Guru Dev and Gardish, whose fairly popular music had provided RDB the hope of comeback.
Here are osngs from these films:
Badal jo barse to bheege tum – Gardish
https://www.youtube.com/watch?v=nhQuJuAyVlo&list=RDnhQuJuAyVlo

Jaipur se nikli gaadi – Guru Dev
https://www.youtube.com/watch?v=XFSP0f2pN6g&list=RDXFSP0f2pN6g

39 AK September 28, 2025 at 10:59 AM

Dr Deshpande @36,
Thanks a lot. So nice of you that you managed to drop in. I was fixated on Lata Mangeshkar style of iconic songs. Then I started noticing that while Lata Mangeshkar’s tonal quality visibly deteriorated, Asha Bhosle retained hers till quite late. It is only while doing the post I realised that despite higher numbers by Asha Bhosle, RD Burman did have a special respect for the Didi. You have added some more nice songs by RDB-Asha Bhosle combo.

@37,
Yes, Khubsoorat was another landmark of RD Burman-Gulzar-Asha Bhosle combination.

@38,
Both the songs are very nice. But I think music directors are constantly looking for new voices. Lata Mangeshkar was proving a drag. Asha Bhosle was still good for a few years, but they still decided for a shift. Sometimes, change appears ‘change for change sake’.

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