Miscellaneous

Naushad’s Long-distance Duets of Separation

Naushad August 19, 2015

Hindi films have a very neat structure. They can be divided into three parts – romance, conflict and resolution. The lovers meet, or childhood friends grow up into lovers and dance around trees and sing romantic songs. Then the villain strikes, who lusts for the girl or her wealth, and kidnaps her; or the girl’s […]

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Songs of Yore completes five years

Songs of Yore completes 5th Anniversary June 7, 2015

Celebrating with some discovered gems, Jaunpuri, Darbari and Mukhtar Begum The fifth year of Songs of Yore has been more eventful than any preceding year. The year saw centenaries of four great music personalities – Anil Biswas, Begum Akhtar, Khursheed and Kavi Pradeep (the last one in the current calendar year). We remembered all of […]

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Some thoughts on taxonomic-mathematical analysis of Hindi films and songs

Music Balance April 1, 2015

(SoY regulars would recall that discussions have often given rise to questions for which I have suggested a multi-disciplinary team of film/music experts and mathematicians for more precise analysis. It seems the experts have not come forward out of modesty. They must be looking for someone to take the initiative. In this post, I am […]

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The Master of Musical Comedies C Ramchandra and his ‘Patanga’ (1949)

Patanga (1949) January 12, 2015

A tribute on C Ramchandra’s birth anniversary January 12 (12 Jan 1918-5 Jan 1982) In my simplified history of Hindi film music, when I move from RC Boral-Pankaj Mullick to Anil Biswas to Naushad, it would be quite unfair if I miss C Ramchandra. The Great Maratha (in the sense of one belonging to Maharashtra) […]

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The Jewel in the Crown of Naushad: ‘Rattan’ (1944)

Rattan January 1, 2015

SoY celebrates 2015 as the Year of Naushad in the 75th Anniversary Year of his debut If I were to write the history of Hindi film music, it would go as follows. Once upon a time there were RC Boral and Pankaj Mullick. Then came Anil Biswas. He was followed by Naushad, who in a […]

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Aao bachcho tumhein dikhayen jhanki….ki

Pakistani film Bedari (1957), a frame by frame remake of Jagriti (1954) August 15, 2014

Independence Day greetings to India and Pakistan Fill in the blank in ‘Aao bachcho tumhein dikhayen jhanki…ki’. We all know the answer – ‘Hindustan’. If you think of it, ‘Pakistan’ also fits in perfectly. It is quite befitting that this is so, because no two countries have such shared history, shared culture, language, musical tradition, […]

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Songs of Yore completes four years

Songs of Yore completes four years June 7, 2014

With a tribute to Juthika Roy I have often said I started blogging स्वान्तः सुखाय. As Songs of Yore completes four years today, I find I have become a little less selfish. Now I do a lot of things that are suggested and driven by the readers. And, you don’t need a preacher to tell […]

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Multiple Version Songs (16): Rabindra Sangeet and Pankaj Mullick

Rabindranath Tagore and Pankaj Mullick May 7, 2014

Hridaya Pankaje Rabi Viraje A tribute to Gurudev Rabindranath Thakur (7 May 1861 – 7 August 1941) and Pankaj Mullick (10 May 1905 – 19 February 1978) by guest author N Venkataraman (The appeal of Rabindranath Thakur’s poetry and songs of love, nature and worship transcends the boundaries of language and culture. Pankaj Mullick, one […]

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A ‘serious’ review of Sangam (1964) in its Golden Jubilee Year

Sangam March 17, 2014

Raj Kapoor overturns Bollywood triangle to convey profound social messages Reviewing a film is not a joke unless you are Madhu, Anu or Memsaab Greta. Then, why am I venturing into a field in which I have no expertise, and why Sangam? Review of a Bollywood blockbuster like Sangam suffers from both the ends. At […]

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Songs of Atariya

Romeo and Juliet on Atariya February 12, 2014

With a tribute to Begum Akhtar in her Centenary Year I had thought songs of atariya are one of the things – like lori, bidaai songs, bhajan, piano songs etc. – that have been irredeemably lost from our films. Loosely translated as ‘balcony’, atariya was the place where the heroine would go stealthily from the […]

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